• RSS
  • Delicious
  • Digg
  • Facebook
  • Twitter
  • Linkedin
  • Youtube
Showing posts with label how to write a book product description. Show all posts
Showing posts with label how to write a book product description. Show all posts

8 Tips for Writing that Killer Blurb

by Ruth Harris

You’ve written a book!


Or:
  • You’ve started the first draft. 
  • You’ve finished the first draft.
  • You’re waiting for your editor’s comments. 
  • You’re thinking about writing a book.
  • You’ve got a great idea for a book.
  • You’re making notes for a book.
  • You’re outlining a book.

No matter what stage you’re in, the fact is it’s never too soon to start thinking about your blurb. 

(Also known as the sales pitch, the back cover copy, and on Amazon, the "product description".)

Writing or drafting your blurb at an early stage or even before you start writing can serve as a brief outline and help you stay focused as you write. 

Coming up with the perfect headline for your blurb will also give you a head start on honing that all-important elevator pitch.

The cover is the first thing that grabs the reader’s attention and tells him/her what kind of book s/he is looking at: romance (sweet or steamy), women’s fiction, mystery, thriller, horror, sci-fi.

But once you have the reader’s attention, then what?

Then you have to make the sale.

We’re talking blurb here, and don’t think you can get away without a killer one. Every book—no exceptions—needs blurbing. These days, even the Bible has one. Don’t believe me? You can look it up.

The blurb is crucial, it’s essential. It's the message that seals the deal and tells the reader why s/he absolutely, positively, MUST buy the book.

Blurbs are a little bit art, a little bit craft, a little bit commercial poetry. They are (or should be) quick and easy to read but they are time-consuming and challenging to write—certainly for me and, I suspect, for most writers.

In another life, I wrote paperback blurbs, probably thousands of them over several decades. Back in TradPub days, blurbs had to be short (paperbacks only have so much space on those covers) but comparing the reader who’s browsing in a bookstore to the person who’s surfing the net is the difference between a leisurely stroll and NASA rocket flight. As a consequence, my definition of short has radically changed: Now it’s just about as short as humanly possible.

Here are some ideas about getting from here to there: 

1) Research. 


Read (and study) the blurbs for the bestselling books in your genre so you will start with a solid idea of what you’re aiming for in your own blurb. Make note of the exact words that pique your interest. Pay attention to the headlines, body copy and formatting of blurbs that particularly appeal to you so you can be inspired by them.

2) Keep your reader in mind. 


Speak directly to him or her. You wouldn’t speak to a rowdy sports fan in a raucous bar the same way you’d speak to your child’s Sunday school teacher, would you? (At least I hope not.) Blurbs work the same way and keeping a clear picture of your reader in mind will help you find just the right tone for your blurb.

3) Refine, rethink, rewrite. 


You are looking for the most potent way to compel your reader’s attention, not a winning time in a track meet. Look at your blurb on your computer, your phone, your tablet. Print it out in a large font size and post it on the fridge or the bathroom mirror. See if viewing your blurb in different way exposes any weaknesses or triggers any ideas for improvement.

4) Every word counts. 


As you work on your blurb, cut flabby, wishy-washy words (you know me and my love of the delete button!). Ditch meaningless hype like: the most exciting thriller ever written or the best romance you’ll ever read. Instead use power words such as: beautiful, shocking, exciting, scandalous, terrifying, sexy, hilarious—words that evoke an emotional reaction.

5) Use short sentences and lots of white space. 


Don’t confront the reader with a dense block of text. Remember that s/he is probably skimming so make it easy for him or her. I also try to make sure my blurb on Amazon is short enough to be seen in its entirely without the reader having to click read more. Apple is stingy about space for the blurb so be prepared to do even more cutting if you are uploading to iBooks.


6) Use italics and bolding sparingly. 


Too much or too many and they just cancel each other out.

7) Don’t marry your blurb. 


Especially if you’re e-pubbing. I view my blurbs as WiPs and constantly change, tweak, refresh and revise them. Just remember that if you change your blurb on Kindle via Author Central, you won’t be able to make changes through your KDP bookshelf but will have to go back to Author Central if you want to do further tinkering.

8) Stay true to your genre and your voice. 


Contemporary romance, historical romance, and Victorian-era mystery with a female version of Sherlock Holmes each set up different expectations. So do humor, horror, sci-fi, pulpy noir, steamy romance, sizzling coming-of-age stories, and action-adventure. 

Make sure your blurb meets your prospective reader’s expectations and write your blurb in the same voice as your book.

More professional advice on blurbing


Bestselling author of romances set in New Zealand and former copywriter, Rosalind James, talks about how she had to re-learn the art and craft of copywriting because all copy is not the same. She has a great piece about her approach to the kickass romance blurb on her blog.

Ace blurb-writer, Amy Wilkins, Assistant Manager of Digital Content and Social Media at Harlequin, is a member of the acquisition team for Carina Press. Amy discusses how much plot to reveal, the importance of conflict, and describes different ways to hook a reader. She offers details about her method of writing romance blurbs at Romance University.

YA author Sarah Juckes breaks down the daunting task of blurb-writing into clear step-by-step directions.

Mark Edwards, a friend of the blog and a superstar #1 Amazon UK author, thinks the power of the blurb can sometimes be under-rated. Mark tells how he doubled the sales of his co-written book, Killing Cupid, by rewriting the blurb in a guest post on our blog, 5 Steps to a Great Product Description.

Joanna Penn, author and book marketer, was voted one of The Guardian UK Top 100 Creative Professionals 2013, and voted one of the Top 10 Blogs for Writers 3 years running. Joanna offers tips about writing an effective blurb (aka sales pitch)in her blogpost, How to Write an Effective Back Blurb.

Marilynn Byerly, who teaches on-line writing courses, breaks down blurb-writing by genre: romance, romantic suspense, sci-fi and fantasy, mystery and suspense. Marilynn also explains how to do the precise cutting required to make a short blurb even shorter.

Sarah Webb author of chick lit and children’s books, shares her recipe for the brilliant blurb here. Sarah also explains the power and importance of the shout line or tag line.

Other resources


Want advice from other writers? Post your blurb on Writers’ Cafe, ask for help, and get input from peers.

Fed up with the whole thing and want to pay someone to do the heavy lifting? If you’re looking for experienced help with your blurb, Ella Blythe, who has a background in corporate copywriting, offers a range of services from a touch-up to an entire blurb. Ella usually charges $25 for a blurb, is willing to negotiate depending on the job, and guarantees satisfaction.

***

Scriveners, are you as blown away as I am by all these great links? How do you approach blurb writing? Would you think of using a blurb service (At $25 it looks like a good deal to me.) I think it's fabulous that Writers Cafe has a blurb critique forum. Any other advice to add?...Anne 

Next Sunday, we'll have a guest post from friend of the blog, freelance writer Sarah Allen (no relation.) She'll be talking about what things a pre-published author can be working on NOW to jumpstart your career. 

Meanwhile, on April 6th, Anne will be signing books and giving short talk at the Coalesce Bookstore on Main Street in Morro Bay, along with her fellow members of our local Sisters in Crime chapter. If you're in the area, come by on April 6th from 1 PM to 3 PM, for wine and goodies and lots of fun book talk. 
 
BOOK DEAL OF THE WEEK

Ruth Harris's New York Times bestseller Love and Money is Marked down from $4.99 to 99c this month!





"Richly plotted and racing to a shocking climax, this glittering novel is first-class entertainment." --New York Times 

"Fast-paced, superior fiction. With a crisply precise and descriptive narrative style and an unerring ear for dialogue, Harris has written a terrifically satisfying 'good read.'" --Fort Lauderdale News Sun-Sentinel

"Ruth Harris has done a miraculous job of entwining the lives of two women in a believable and fascinating way. You won't have to hide if someone asks what you're reading." --West Coast Review of Books

"Sophisticated and entertaining. I couldn't stop reading." --Rona Jaffe, author of The Best Of Everything


OPPORTUNITY ALERTS


The Golden Quill AwardsEntry fee $15. Two categories: Short fiction/memoir (1000 words) and Poetry (40 lines max) $750 1st prize, $400 2nd prize in each category. Sponsored by the SLO Nightwriters and the Central Coast Writers Conference. Entries accepted from April 1-June 30th.

The Saturday Evening Post "Celebrate America" fiction contest. $10 ENTRY FEE. The winning story will be published in the Jan/Feb 2015 edition of The Saturday Evening Post, and the author will receive a $500 payment. Five runners-up will each receive a $100 cash payment and will also have their stories published online. Stories must be between 1,500 and 5,000 words in. All stories must be previously unpublished (excluding personal websites and blogs). Deadline July 1.

Fantasy Scroll Magazine is a new paying-market, upscale SciFi online literary magazine. Now taking submissions for flash, micro-flash and stories up to 5000 words. They are also launching a kickstarter campaign to obtain funding to maintain this as a paying market. They're looking for highly original work in SciFi, Horror, and Fantasy.

Writers' Village International Short Fiction Award. Entry fee £15. This is a biggie. Stories in English up to 3000 words in any genre from anywhere in the world. £3000 First Prize. Judges include iconic mystery author Lawrence Block and Whitbread & Orange short-lister Jill Dawson. £4500 ($7200) in total prizes. The top 50 contestants also get a free critique of their stories. Deadline June 30th.

Flash Prose Contest $15 ENTRY FEE. WriterAdvice seeks flash fiction, memoir, and creative non-fiction running 750 words or less. Enlighten, dazzle, and delight us. Finalists receive responses from all judges. First Place earns $200; Second Place earns $100; Third Place earns $50; Honorable Mentions will also be published. Deadline April 18th.


Today we have some valuable advice from Mark Edwards, one of the superstar authors who made indie publishing the powerful movement it has become. He and Louise Voss made history when their self-pubbed books soared to the top of the UK bestseller lists and got them a big-money deal with HarperCollins. 

One of the secrets to their success is their savvy use of the Amazon "product description" that goes on the Amazon buy page of your book. Here's Mark's advice on how to write brilliant book descriptions of your own.


PRODUCT DESCRIPTION A.K.A. THE BLURB: AN IMPORTANT SALES TOOL YOU MAY BE NEGLECTING
by Mark Edwards

When you’re trying to sell your masterpiece on Amazon or any of the other ebook platforms, you face two major challenges. The first is visibility. This is the big one. With all those millions of books, with many more being added every day, how do you even let people know your book exists?

The second challenge – and the one I’m going to address here – is how to hook readers who catch a glimpse of your novel, or hear about it, and take a look to see if it’s something they want to read. They will look at the cover, look through the reviews and read the description – sometimes called the blurb.

The description is, in my opinion, an underrated sales tool. Back in 2011, when my co-written novel Killing Cupid was hovering just outside the top 100, Amazon showed you what percentage of visitors to your book page had bought it. I was able to hugely increase this percentage – and double sales – instantly by rewriting the description. I did this after spending a few weeks analyzing the descriptions of the books in the top ten. I realized my original description was too messy, unfocused, as much about the authors as the book.

With its new description, Killing Cupid eventually reached No.2 on Amazon.co.uk (and our second novel hit No.1 at the same time), helped us get a traditional book deal with HarperCollins, and a few weeks ago, Peter James, one of the UK’s most popular crime writers, named Killing Cupid as his book of the year. None of this would have happened if I hadn’t rewritten that description.

So how do you write a good one?

Decide who’s going to want to read the damn thing.

From the moment you conceive your book, unless you are writing for yourself (and if anyone else likes it, it’s a bonus) you need to think ‘Why would anyone want to read this?’ What’s the concept, the hook? What makes it different – or similar – to other books? Imagine you have to elevator pitch your novel – as you describe it, do you picture gasps of excitement or eyes glazing over? For every writer, this is an important step – before you spend months of your life working on this novel, think about who would want to read it, and why.

This will not only help you write a great description when it comes to it, but will help you write something lots of people will want to read!

Make it sizzle

There’s an old saying in advertising: sell the sizzle, not the steak. That means you need to tell your prospective customer how you are going to make them feel – excited, scared, heartbroken, stimulated (intellectually or otherwise!) But with book descriptions, you need to serve up some steak too – you have to set up the story, hook the potential reader and make them feel not only that this book is worthy of their precious time and money but that they are desperate to find out what happens.

My advice is to study the blurbs of successful books in your genre. Look at both self-published books and traditionally-published books. Study the bestsellers, and in particular look at first novels, or breakout books. Work out what it was about this book that made it a hit. What made Colleen Hoover and Hugh Howey break free of the pack and have monster hits?

Structure your blurb

When I write a description I break it down into five steps:

1. Intro sentence – sum up the book in one sentence.

This can be a tagline like you might see on the cover of a book, eg ‘Memories define us. So what if you lost yours every time you went to sleep?’ (Before I Go To Sleep). Or it could be a more straightforward description of the book: ‘Imagine if Dan Brown and Stieg Larsson sat down together to write a fast-paced medical conspiracy thriller, featuring rogue scientists, a deadly virus and a beautiful but vulnerable Harvard professor.’ (Catch Your Death)

Yes, namechecking similar authors is fine. Publishers do it all the time.

2. Set the scene – who is the main character and what is their situation at the start of the book?

The first sentence needs to set up the main character and where they are at the start. What is it about them that makes them interesting?  Are they a spy, a frustrated housewife, a lonely orphan whose family lock him in a cupboard under the stairs?

Don’t make this too long, because you quickly need to get to the…

3. Call to action and initial problems – what sets the story moving, what is the initial problem our main character faces, introduce one or two other major characters (not too many or it will get confusing).

What happens straight away to get the story moving? In your book, the call to action, or inciting incident, needs to happen in the first couple of pages or the reader will quickly get bored.

Is a body found in the Louvre? Does someone from the past turn up? Does the virginal student meet a handsome billionaire? Tell us what happens in two or three sentences. You need to get people hooked into the story; it needs to be familiar but also original – why is this story the one that your reader should buy next?

4. Cliffhanger – what happens next, and what is the big problem/dilemma/danger that will hook the reader in and make them want to read on?

You can’t give too much away – you need to lead the reader up to the point where the protagonist is on the cusp of something exciting or dangerous or life-changing. You need to be intriguing and hint at gripping events, painful dilemmas, mind-bending puzzles or a life-changing journey.

5. Summary – seal the deal; tell the reader why this book is so great and why they should read it. What kind of book is it. Make them excited!

The final paragraph can be more factual: “CATCH YOUR DEATH is a fun, page-turning thriller that also asks serious questions about how much we can rely on the people we entrust with our lives.”

If you didn’t compare yourself to another author in the first line, you can do it here.

Now all you need to do is sit back and watch your book shoot up the bestseller lists…with a little luck!


Mark Edwards is the co-author of Killing Cupid, Catch Your Death and All Fall Down. As well as being a novelist, he is a freelance marketer and copywriter. Download his FREE guide, Write the Perfect Book Description and Watch Sales Soar. You can find Mark on Twitter @mredwards. He is currently accepting new clients who want him to write their book description. To find out more, contact him here.

More on blurbifying in the archives here in Anne's post HOOKS, LOGLINES AND PITCHES.

What about you, Scriveners? How are your book describing skills? Mine could use an overhaul. I'm definitely going to work on mine using Mark's tips. 

NEWS: Anne is all over the Interwebz this week:

Whew!


NOTE: If you subscribed to get updates of HOW TO BE A WRITER IN THE E-AGE and haven't received them, just email Mark Williams international Digital Publishing and put "SUBSCRIBE TO HOW TO BE" in the header. Send it to markwilliamsauthor at gmail dot com. Let them know if you need mobi-Kindle, epub, PDF or some other format. If you bought the book but didn't subscribe--or you bought the paper book--state that and you can still get an updated ebook.


Opportunity Alerts:

1) Free Online Calendar for Your Book Events. Popular Soda—a watchdog site for indies—Is providing some great services for indie and small press authors.  This free online calendar is open to any indie author events and contests, giveaways, and promotions that benefit the self-publishing community as well as ebook readers. If you are hosting a Goodreads event, a giveaway on your blog, or a writing contest, email admin[at]popularsoda[dot]com to have your event listed.

2) Worldwide Online Writers Conference. Kristen Lamb’s group my WANA (We Are Not Alone) is offering an online writers conference on February 22 and 23. (No I won’t be there. It’s my birthday weekend and I’m planning to take some time off from Cyberia.) But it looks great!

3)  Workshop with Anne and Catherine Ryan Hyde: If you live on the Central Coast of California and you’re interested in learning about blogging, building platform and everything a 21st Century author needs to know, Anne will be teaching at a seminar called THE TECH SAVVY AUTHOR with Catherine Ryan Hyde, screenwriter and radio personality Dave Congalton and a whole crew of smart techie folks on March 2nd. (And it includes a great free lunch.)

4)  Cash prizes for flash fiction. The San Luis Obispo NIGHTWRITERS are holding their annual 500-word story contest. Anybody from anywhere in the world is welcome to enter. Prizes are $200, $150 and $75. This is a fantastic organization that boasts a number of bestselling authors among their members, including Jay Asher, Jeff Carlson, and moi. (Well, some sell better than others :-) ) Deadline is March 31st

5) Learn to be a Ghostwriter! The only ghostwriting course in the world--via Cal State Long Beach extension ed. The term starts on Sat, Feb 16, 9-noon Pacific time. It's a live online class; i.e., they're on the phone and on a web interface every week for 15 weeks. The classes are seriously small, the information cannot be found anywhere else, and they say they have a blast every semester.