Writers participating in NaNoWriMo (National Novel Writing Month) may discover that friends and family aren't entirely enthused by your decision to disappear into your computer for a month. (I have a secret suspicion that Chris Baty invented NaNo in order to escape those painful family Thanksgiving dinners.)
But at any time of year, some people in your life will find it difficult to relate to your passion to write. A few will even sabotage your progress, often subconsciously, but sometimes with the deliberate intent of steering you onto another path "for your own good."
Kristen Lamb wrote on her blog this week about a minister of her church who told her she "had a better chance of being hit with lightning than becoming a published author." And that she "needed to be an adult and pursue a 'real' career."
Squelch.
What's a new writer to do?
One thing that can help a lot is networking with other writers. That's where blogging and social media can be helpful. Kristen's "WANA tribe" (We Are Not Alone) is a community where writers can find mutual support. Another is Alex J. Cavanaugh's Insecure Writers Group, which he wrote about on this blog a couple of months ago.
Online or in-person, writers' groups can be a godsend. I'm lucky enough to live in a town with a fantastic writing community called the SLO Nightwriters. It has members at all writing levels, from fledgling first-timers to New York Times bestsellers. National organizations with local chapters like RWA, SCBWI, and Sisters in Crime can also provide welcome support.
A good writing group will also save you from the mistake so many new writers make: asking friends or family members to read a work in progress.
The urge to share your work with loved ones is natural. I did it myself early in my career. If you're lucky, you may get some helpful suggestions, but you're more likely to get evasive looks and polite platitudes—or worse. Much worse.
Here's my cautionary tale: my WIP was having problems with flow, so I gave it to a friend who had praised my published work. I thought he might be able to pinpoint what wasn't working. But as a non-writer, he had no idea what “rough draft” meant. After he finished the typo-strewn ms., he phoned immediately, telling me to toss the book because it was a “mess that nobody would ever want to read.”
I tried to get him to tell me exactly what he didn’t like, but he kept ranting, giving no specifics. After he screamed "show, don't tell" about ten times, I have to admit I hung up on him. (Years later I realized I'd asked him at a very bad time in his life. He'd just lost a beloved job and my career was on the rise. His own dreams were in shatters, which made him into a Dream-smasher.)
I shelved the book. I figured whatever was wrong, it must be pretty terrible.
Years later, when I opened the manuscript again, I realized it wasn't that bad. I'd let one uninformed person's opinion kill a project I'd spent years of my life creating. I did a quick polish and sent it to my publisher. The editor suggested a new opening chapter and a handful of tweaks. It's now part of my boxed set that's been a humor bestseller on Amazon for 20 weeks.
But the friendship died. And since then, I've never let a non-writer see a draft of anything.
Critiquing and editing require experience and expertise. Anybody can say "I hate it," but it takes an expert to say. "This doesn't work because of ___ and____."
Recently freelance editor Holli Moncrieff wrote about the problem of friends critiquing friends on Michelle D. Argyle's blog. Holli and Michelle think even friends who are writers may not be the best people to critique your work. As Holli says, "there are enough people in the world who will tell you that you suck without having to hear it from a friend."
And the truth is, a lot of people in your life may find your new interest threatening. If you’re not emotionally prepared, they can derail your project, stifle your creativity, and undermine your self esteem.
They may not be as heavy handed as Kristen Lamb's minister or my Dream-smasher friend, but they’ll work to sabotage your confidence in dozens of subtle—or not-so-subtle—ways.
They can do it for a variety of reasons. The most obvious is that your new passion can feel like a rival. Writing robs your loved ones of time you used to spend together.
Or your friends may be secret wannabes who have stifled their own creativity out of fear of failure. People like this may try to make you feel like a failure in order to justify their own fears.
Or they can just be at a bad time in their lives like my friend. In any case, it's best to be prepared.
Dream-smashers
- Like Kristen's minister, they’re full of statistics showing the odds against being successfully published.
- They’ll send links to articles with dire warnings about carpal tunnel syndrome and back injuries due to long sessions at the keyboard.
- They have an unending supply of stories about suicide and depression in writers.
- They always “know” some rule that you’ve broken—probably mis-remembered from their 5th grade grammar class. (Like my "show don't tell" friend.)
- They’ll criticize your premise in a way that’s also a personal attack: “nobody wants to read about women over 50/washed-up athletes/teenagers with disabilities.”
- They often try to hijack your story. They'll criticize anything in your work that doesn’t promote their own world view, and suggest the story would be much better if the hero were more like them.
Crazymakers
- You tell your Crazymaker friend your writing schedule, but she’ll always “forget,” and show up at exactly the time your story is on a roll. She’ll draw you into a weepy tale of woe, saying you’re the “only one who understands.”
- Have a deadline for a difficult article? That’s the moment Crazymaker will stomp into your office and confess the affair he had four years ago when you were on a relationship break.
- Got an editor waiting for a rewrite? That’s the week Crazymaker calls to beg you to babysit her sick child because she can’t take off work. After all, she has a REAL job
Groucho Marxists
- You get a story published. Groucho can’t be bothered to read it. But he’s always bringing you stories by other writers in your genre, “so you can see how a REAL writer does it.”
- You get your big call from that agent. Groucho will try to convince you she’s a scammer. Why would a real agent represent a nobody like you?
- You sign with a publisher. Groucho thinks he's heard a rumor the company is about to go under: look how desperate they must be if they’d publish your book.
- You self publish a book. Groucho will give you a heated lecture on how self-publishing is destroying the culture with a "tsunami of crap."
- You get a good review. Groucho doesn’t have time to read it. But he has lots of time to research other pieces by that reviewer to show the reviewer has terrible taste.
- You win a Pulitzer. What? No Nobel?
We need to erect strong boundaries and be fierce in defending them.
But if you’re serious about your work, the people who really care about you will learn to treat your time and work with respect.
The best way to get good feedback on your work is from other writers, through critique groups and beta readers. Even if you're not lucky enough to live in an area with good in-person writing groups, the Internet age provides wonderful opportunities to find good critiquers online. Two great resources are CritiqueCircle.com and SheWrites. And GalleyCat has a great new sign-up system for finding the right critique group.
What about you, scriveners? Have you run into any of these negative types in your writing journey? How did you deal with them?
Previews of Coming Attractions!
Available RIGHT NOW for NOOK and KINDLE.
Kobo and iTunes to come shortly
Ruth Harris and Anne R. Allen: together again for the first time!
a comedy
Not another guide to self-publishing. This is a fun, friendly book about how to plan your writing career and make the publishing choices that are right for you, as well as take care of yourself along the way.
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