• RSS
  • Delicious
  • Digg
  • Facebook
  • Twitter
  • Linkedin
  • Youtube
Showing posts with label ebookbargainsuk. Show all posts
Showing posts with label ebookbargainsuk. Show all posts


A lot of bookish blogs have posted predictions for 2014. But I'm only making one prediction for the new year: writers will need to start thinking globally.

Growth of ebook sales in the US and UK has slowed, but the markets abroad are growing fast.

Eoin Purcell wrote in the Irish Times last week: "Ebooks outside of the US continue to grow – markets such as Ireland, France, Spain and Germany are only now beginning to see the growth that the UK & US markets experienced two and three years ago."

Publishing Perspectives says that Russia now is the third biggest ebook market, and a Price Waterhouse Cooper study predicts that by 2017, 54% of e-book sales will be overseas.

Gareth Cuddy at Digital Book World said this week, "There was a real opening up of new markets in 2013. This is evident in the fact our publishers sold into a third more countries in 2013 than 2012."


This is especially important information for indie writers. As Dean Wesley Smith said in his recap of 2013 publishing trends:

"During 2013, indie publishing in many, many ways, both paper and electronic, spread out over the world. Now your indie books get a much wider reach than any traditional publisher can manage, which not too many people have talked about yet, but will in 2014."

Zoom. The book business is changing by the minute.

So I figured it was time to get an update from the EBUK blokes: Jay and Mick and the team who run the EBookBargainsUK newsletter (and now blog!) They visited us last October and opened a lot of eyes to the huge market out there for ebooks in English around the globe.

A recent ad I put in their newsletter got my books onto bestseller lists in Australia, Germany, and Canada and even made a sale to the Orkney Library and Archive, the oldest library in Scotland.

Some of this info is a little overwhelming for a non-geek like me, but I think you'll be convinced that getting into as many of these markets as possible is going to be increasingly important.

Do note that self-publishers can get onto a lot of international retailer sites by going through an aggregator like Smashwords, D2D, or BookBaby. You don't have to upload to all these sites yourself.

Going Global in 2014

by the EBUK team


It was back in September that Anne and Ruth last invited us here to talk about the international ebook scene, and there’s no question the global ebook market has got bigger and better since then.

Numerous new ebook retail outlets have materialized even in that short time – we’ll be looking at a couple below – and we’re hearing more and more reports of indie US and UK authors not just selling overseas in increasing numbers, but selling in the most unexpected places, on platforms the authors never knew existed, in places they never knew ebooks could reach.

Which is why we felt it was the right time to launch our Go Global In 2014 campaign. Because if you don’t get your ticket now you may just miss the boat!

More and more authors are coming to realize that, important as Amazon is to any author’s career, we're not living in 2009 anymore.

Amazon is no longer the only show in town 


Amazon is still very much the biggest player in the ebook marketplace, but it's not as big an international player as you may think. 

1) Your books may be a lot cheaper on sites other than Amazon.

 If that sounds crazy you probably haven’t heard about the notorious Amazon surcharges. Respected indie commentator David Gaughran has posted about these on several occasions.

Put simply, for customers outside the Kindle Zone countries (that is, countries without a Kindle store) Amazon bizarrely adds a substantial surcharge to the list price. 

Your $2.99 ebook will cost a reader in Malta or Poland $4.99. 

In Norway it will cost as much as $6.99. (And the author will get just 35% of the $2.99 US price.) 

Similar surcharges apply across the globe to countries without a Kindle store.

That’s always presuming Amazon allows readers to buy at all. Despite that long list of countries in KDP where your ebooks are supposedly going to be on sale, the truth is many countries are blocked completely from buying. Singapore is an example.

Obviously, readers will be buying elsewhere. And in 2014 there are plenty of places to choose from.

2) Kindle isn't the primary e-reader any more. 

The world of e-readers, tablets and smartphones has changed beyond all recognition since 2009.

Having your books on Amazon is great, but they are in mobi format and not much use to anyone without a Kindle device.

Of course if you're on Apple, Kobo and Nook, you will have epub ebooks. 

So what about Apple, Kobo and Nook?


  • Kobo has been growing slowly, like Amazon, but it has many competitors, as you'll see below. 
  • Apple may have 51 ebook stores but actually many of them only sell public domain titles, so they're of no interest to contemporary authors. 
  •  Barnes and Noble is still more of a player than you'd know from its bad press. Readers can now buy your Nook titles from all four corners of Europe, from Finland up top to Norway on the left, tiny Malta down in the Med, Poland and Austria in the middle, and Estonia and Latvia over by the Russian border. It now has stores in Australia as well. But many of these they are restricted to the Windows 8 platform at the moment. 

But these four retailers pretty much have the market sown up, right?

If only…the publishing world would be so much simpler. 

Think wholesalers as well as retailers


The familiar retailers like Amazon, Apple, Nook and Kobo aren't enough any more. To reach the wider global market you need to have your titles in the wholesaler catalogues. 

These are distribution companies like Ingram, Gardners, Baker & Taylor, OverDrive,  etc. 

Because the wholesalers distribute to so many channels with so many different end-user devices your First Grade epub conversion from a Word doc that might be acceptable on Kindle or Nook will not be good enough.


If you plan on going global you’ll need an industry standard epub file that meets IDPF standards. 


IDPF is the International Digital Publishing Forum. They are the Trade and Standards Organization for the Digital Publishing Industry.

They have a free epub validator here. Just load up your epub file and it will come back approved or rejected. If your epub doesn’t pass the IDPF validator check it WILL NOT be accepted by any serious aggregator, such as Ebook Partnership, who can get your ebooks into the Ingram, Copia and OverDrive catalogues. 

As we showed here back in September, Anne has excellent global distribution, with titles in local ebook stores everywhere from Iceland to Switzerland to South Africa. Anne uses Smashwords and Ebook Partnership together to maximize her global footprint. And of course her ebooks pass the IDPF validation test. (Whew! Actually my publisher handles this. I'm a cybermoron...Anne)

If you’re new to the indie game and looking to move up to the next level as self-publishers you should bookmark the IDPF validator and make sure every file you put out passes the IDPF validation test.

Why is the IDPF validation so important? After all, your Word doc that you put up on KDP looks fine, and you can throw a Word doc into Calibre and out pops an epub. Why all the fuss?

Well for starters your Kindle converted Word doc may not work on all Kindle devices. Don’t take our word for it. Check out Lexi Revellian, who reformatted all her files when she realized the Kindle Paper White was playing games with her ebooks.

For other devices anything but an industry standard epub is just asking for problems. Yes, we know your ebook looks fine on your neighbour’s Kobo and your nephew’s iPad and your Aunt Dot’s Nook, but…

In the world beyond the comfort zone of the US, UK, NZ, Australia and Canada, people are reading ebooks on tablets, phablets. smartphones and apps most of us didn’t even know existed.

Ever heard of Archos? Or the ‘txtr Beagle? TheTolino Shine? The Infiebeam Pi? The iRiver range? Orient? Goopad? (Seriously). Lenova, anyone? Haier? Chuwi? Doodee? Onda?

No, we’re not making these up. Here’s the Onda – an 8”, 16GB tablet for just $115.

Yes, it ships from China, but you can pay by Paypal, so you know your money is safe. No, it doesn’t come with Amazon Prime and film and TV and all those extras that make the KindleFire so worth buying.

But here’s the thing: If you’re not in the US and you buy a KindleFire none of those wonderful extras will work anyway. The KindleFire is just another tablet. And if you’re outside the comfort zone of the US, UK, the EU, Australia, New Zealand and Canada your credit card may not be usable at Amazon. Paypal may be the only international payment option open to you.

And that includes countries where Amazon has Kindle stores. Want to buy an ebook from Amazon India? It’s just one-click, right? Er… No. Check out the hoops you have to jump through just to buy an ebook from Amazon India.

Speaking of India brings us neatly to the Aakash. 

Aakash: The $35 tablet


Way back in 2011 a $35 tablet was launched in India.

And everybody laughed. A tablet for thirty-five bucks? How could a $35 tablet be anything but an unmitigated disaster?

Surprise! The Aakash has been a phenomenal success. In the first quarter of 2013 the Aakash not only outsold Samsung in India, but sold twice as many tablets as Apple in India.

And this is just the beginning. The Indian tablet and smartphone market is still in its infancy. The number of Indians who will be buying tablets, phablets and smartphones in India over the next year or two is going to be staggering.

And many of them could be reading your ebooks on these devices.

Tablets, phablets and smartphones are taking off internationally on a scale that's hard to imagine. Many will be using devices we’ve all heard of and are comfortable with. But many more will be using devices we’ll never ever hear of and couldn’t pronounce if we did.

And they’ll be buying their ebooks from stores you’ve never heard of, too.

If you plan on going global in 2014 and reaching a truly international audience you need to make sure you are in as many of these stores as possible. Including the ones that don’t even exist yet.

No, no need to read that again. You read right the first time.

If you play your cards right, you can be in new stores from the moment they launch. Anne R. Allen did just that in Bild in Germany.

The Bild Ebook Store


Never heard of Bild? Given the Bild ebook store only launched in mid-December that’s no surprise. Luckily our patent early-warning new ebook retailer detector alerted us and we were there for Bild’s first day – and there were six of Anne R. Allen’s titles beaming back at us. (Much to my amazement...Anne)

As we explained here last time, Germany is a key market for your English language titles. For one thing it has as many English-speakers as Australia and Canada put together!

So with Amazon Germany, Apple Germany and Bild does that makes three ebook stores for Germans to choose from?

Nope. A quick count suggests there are about twenty German ebook stores, and we’ve probably missed several. Expect LOTS more through 2014-15 as market fragmentation accelerates.

But we’ve chosen to mention Bild here not just because Anne’s in it. Bild is part of a much bigger picture emerging. You see, Bild is part of a key consortium of ebook stores that together are challenging Amazon’s supremacy in the German market.

Sadly while Kobo has the largest German ebook store by number of titles, it has yet to make a serious impact in Germany. That will change as Kobo expands its presence in the country, but the big threat to Amazon comes not from Kobo, Apple or Google Play but from the domestic market. Not ‘txtr, surprisingly, but what is loosely termed the Tolino Alliance. 


The Tolino Alliance


The Alliance is a consortium of German publishing interests acting together to promote ereading in Germany. By summer 2013 they were estimated to have grabbed 34% of the German ebook market.

The Tolino Alliance comprise Thalia, WeltBild, Hugendubel, Buecher, Deutsche Telecom and Bertelsmann, who together are selling the Tolino e-reader and tablet across some 1500 retail stores. No surprise it did rather well then, despite some dismissive reports from industry commentators.

Nate Hoffelder over at The Digital Reader typified the reaction to the Tolino Shine: “The Shine is going to bring generic ereaders to a whole new level,” he said, adding “Let me know when Tolino has a plan to sell ebooks better than Amazon, because that is the point at which they might start winning. At this point all I can see is that they are making the same hardware mistake as everyone else.”

Three months later Nate wrote a post headed, “Tolino Shine eReader Has Great Success in First 100 Days.”

The Tolino Alliance goes from strength to strength. Check out their website - In October they launched their tablet range, and in December their latest ebook store.

Nate talks about “winning” and “selling ebooks better than Amazon”, which somewhat misses the point. The thing is, it's not about winners and losers. It’s about market share and selling books. Not selling books better than Amazon.

The Tolino Alliance is devastating Amazon market share in Germany. Yes, Amazon are still the biggest, but for the Tolino Alliance to not just barge Apple to one side but to eat up a third of the market so quickly is pretty phenomenal, and perhaps a sign of things to come, not just in Germany but globally.

But Bild ebooks is of interest for other reasons too. We talk a lot about market fragmentation on our blog, and this new German ebook site is a fine example. For starters it’s run by a newspaper – the German tabloid Bild, which immediately gives it high visibility. Especially given Bild already has a digital music subscription service, and also sells video.

It’s powered by Buecher, part of Holtzbrinck. Holtzbrinck, who also own Macmillan, are one of the Big Five publishers. (They're also behind the Skoobe ebook subscription service, which long predates the US getting subscription ebooks).

Oh, and Bertelsmann, one of the companies in the Tolino Alliance? They own Random House Penguin, the world’s biggest publisher.

Next time you read how the Big Five has its head in the sand about ebooks, bear that in mind.


“Glocalization” and “market fragmentation”



"Glocalization" and "market fragmentation" are terms you’ll often see on the EBUK blog

"Glocalization" is a combination of "globalization" and "local". It's a measure of how multinational companies go about their business in foreign lands. Do they stick out like a sore thumb or seamlessly interact with the local environment?

"Market fragmentation" means sales are going to more and more smaller retailers instead of one or two monolithic giants.

Let's look at those new retailers in Germany.  Those local German stores start off with an inbuilt advantage over foreign competition, even if the foreigners got there first–so they are already fragmenting the market. 

And sometimes the new kids on the block gain an advantage over the established players, because they don’t carry the inevitable baggage that accumulates with age.

Many Germans haven’t forgiven Amazon for originally launching the Kindle in Germany without even bothering to translate the packaging and manual (bad glocalization), and Amazon has had more than its fair share of bad press in Germany everything from tax avoidance to Nazis in the workplace – and it has continuing issues with employee strikes.

But thanks to the early start with the Kindle, Amazon has held its own in the ebook market.

So far.

But as market fragmentation accelerates, and glocalizing stores like Google Play, now 44 ebook stores worldwide, and – to a lesser extent – Kobo, compete with the other international players like ‘txtr (18 international ebook stores, plus partner stores) and Sony (seven global stores) and the many hundreds of new White Label stores that WILL materialize worldwide through 2014, it’s essential indies are in distribution networks that will get you everywhere.

It cannot be stressed strongly enough that – while Amazon, Apple, B&N and Kobo are your primary retailers in the US and UK markets, you need to be in a wider distribution network than just the current front-runners.

Can small presses and indies get into the Tolino Alliance stores? Given those links with trad publishers you might be thinking there’s not a snowball’s chance in hell. But Anne R. Allen has managed it. (Again, all credit goes to my publisher...Anne.) 

Here’s Anne in Buecher and in Thalia. And yes, she’s in Weltbid, Hugendubel, Club Bertelsmann too. Of course if Germans don’t want to buy Anne’s books from an Alliance store they can choose from other local German stores like ‘txtr, Ciando and Libreka (there are others!). And then of course Anne’s in Apple Germany, Amazon Germany, Kobo Germany, Sony Germany and even Nook Germany.

Obviously they will be focussed on German language titles, but don’t let that put you off. Click on this link to Anne in the Ciando store and check out what language the site is in. Yes, it’s in English. If you check out the Bild site they have a top 100 English-language ebook chart link prominently displayed on the home page.

Surprise, surprise, it’s all big name trad pubbed titles – but there’s a reason these big names got to be so big – it’s because they are available everywhere. And in the new world of global ebooks they will just get bigger and bigger, while indies can get left behind.

That’s why it’s so important to Go Global In 2014.

How many ebook stores will you have available in in Germany for 2014? The ebook market is just beginning to take off globally. Take five minutes out of your busy schedule to check if your titles are available in Germany and other key markets around the world. And if they are not, set an hour aside to do something about it.


To help you find your titles we’re making available our EBUK Global Footprint template 


This is an Excel sheet which lists the English-language ebook sites (or ebook sites accessible through an English language portal) in the countries to which we send newsletters.

Just drop us an email at info.ebookbargainsuk.com with “Footprint” in the subject bar.
We’ll send you a Global Footprint spreadsheet template that you can copy for each of your titles. We update these regularly, as new retailers emerge or as we increase our promo newsletter reach to new areas.

It will help you keep track not only of where you are (you may be pleasantly surprised to find you’re in more places than you thought) but all importantly where you are not.

For example, if you are in Amazon India through KDP and in India’s Flipkart store through Smashwords you are probably confident you have the burgeoning Indian ebook market sown up pat. But as you’ll see from our Global Footprint template you could also be selling ebooks in Landmark, Pothi, Infibeam (oh, go on then, here’s Anne in Infibeam), W. H. Smith India, Google Play India, Crossword, Newshunt and Rockstand, to name but a few.

Indians can also buy from stores like Smashwords, Diesel, Blio, All-Romance/Omni-Lit, Scribd and similar retailers that don't have territorial payment or download restrictions.

How many options are you offering Indian readers to buy your ebooks?

Why is it so important to be in all these smaller stores? Because being there is half the battle.

And that applies equally whether you are selling in the US, the UK, Australia, New Zealand, India or tiny Malta.

As we mentioned above, while Amazon will surcharge a Maltese reader wanting to buy your book, good old Nook have a Windows 8 option for Malta. And for those Maltese not using a Windows 8 app they can buy from their local Malta ebook store. Just one more of the many new retailers that launched since we were last here.

Among the other new arrivals Google Play opened ebook stores in Argentina, Chile, Peru, Colombia and Venezuela. In case you’re wondering,

Amazon has Kindle stores in none of these countries, and surcharges readers in all of them, so your Kindle-exclusive ebook is not going to be very appealing.

The Internet is called the "world wide web" for a reason. It is truly global. Your ebooks can be read, and talked about, pretty much anywhere on the planet. The question is, can they be bought?

Here’s the thing. When your many Amazon readers love your books and tell all their friends, many of those friends will be on other platforms. When those friends look on their favourite ebook site – which may be one of those unpronounceable ones you’ve never heard of – and find you're not there – you've just lost a sale.

You've also lost a sale from their proudly Australian friend down under who only buys from local Aussie stores like Dymocks, Booktopia or QBD.

And their Aunt Mabel who was given a smartphone for Christmas with a Blio app pre-installed and has no intention of learning how to use something new.

And when they wax lyrical to their relatives in Munich about your book and said relatives go to Thalia or Hugendugel and find it's not there for their treasured Tolino ereader you've lost another sale.

And when that first reader's cousin in Calcutta with the Infibeam Pi2 goes to buy your book from Infibeam, and their brother with the Akaash checks on Rockstand but your title is only on Amazon India and Flipkart...guess what?

Anne mentioned in her intro some of the unexpected places she’s had sales recently. It’s a safe bet these sales weren’t from casual browsers who happened to spot her books. They came from word of mouth recommendation over the 'Net – almost certainly from the ton of books Anne’s been selling on good old Amazon.

Yes, Amazon is by far Anne’s biggest selling platform, but the international market is where her new customers are coming from. Readers who don’t use Amazon probably heard about Anne’s books from readers who do.

Readers will find you. But only if you are there.

For indies wanting to sell globally it cannot be stressed strongly enough - if you are not in a retailer's catalogue you have no chance of selling there. Loyal customers to that store won't go setting up a new account somewhere else just for you. They will buy someone else's book instead.

Being there is half the battle.

What about you, Scriveners? Are you as gobsmacked by all this as I am? Who knew there were that many retailers? Or that indies can get into the big wholesaler catalogues? I'd never heard of a "phablet" before, had you? (I "corrected" it as  typo the first time, then realized it was a real thing.) I find this all very exciting, but also a bit overwhelming...how about you? 


Go Global In 2014!



Ebook Bargains UK

Far more than just another promo newsletter.

Far more than just the UK.


You can contact EBUK here. Their subscriber list is still relatively small compared to something like Bookbub or Ereader News Today, but they reach 14 countries – they just added Japan this week – plus they're inexpensive, offer lots of options and have the advantage of not being an Amazon affiliate. That means they don't get any money from Amazon or other retailers, so they can promo whatever books they like – even freebies –  on whatever sites are available, because they don't get a commission from any retailer.

Besides, they promote indie bookstores instead of the big four retailers.This week they're promoting Vromans in Pasadena in the US newsletter. (And our own Ruth Harris has a nice spotlight.) 

They will be rolling out more newsletters soon, including to the Middle East and Scandinavia, and each newsletter features links only to retailers available in that country /region. Same titles, but thirteen different sets of links. 

Jay Hounsell says "Advertisers should expect results in bingo numbers, not telephone numbers. For this reason we keep our fees very low and it's Buy One get One Free." Unlike other newsletters they offer a variety of listing options - One Day, Something For The Weekend, Featured Title of the Week, Author Spotlight, Series Showcase, etc.

Book of the Week


After reading all this, I'm kind of embarrassed to say my new ebook is only available at Amazon, but it will be on other platforms soon. If you do have a Kindle or Kindle app it's only $2.99 right now...Anne


My new comedy, The Lady of the Lakewood Diner is at Amazon USAmazon UKAmazon CA




Who shot Morgan le Fay? 

The Lady of the Lakewood Diner is a comedy about a six-decade friendship between an aging rock star and her childhood best friend—the owner of a seedy diner in Central Maine, who might be the only person who can figure out who's been trying to kill the rock diva. 

"This isn't just "funny women's fiction for the Woodstock generation," it's a canny cultural observation that brings to mind two of my favorite British authors, Barbara Pym and Penelope Fitzgerald. Yes, the humor is there and sometimes spew-your-cocktail funny, but the character depth and plot fulfillment go so far beyond the humor. I felt I knew these people. I felt I was there."...Debra Eve of "The Later Bloomer Blog."

"In a panoramic view sweeping three decades, Anne Allen's "The Lady of Lakewood Diner" integrates the suppression of the fifties into the growing counter-culture of the sixties and the anti-war protesters of the seventies, all through the lens of the young women who live it. Folk music, the U. S. moon landing, JFK, The Vietnam War, Martin Luther King, the birth of Rock n' Roll, racial unrest, feminism, lesbian and gay consciousness, improvisational theater, Woodstock, the struggle of Vietnam veterans returning home and growing political unrest of U.S. military involvement all become part of the young women's lives as they mature....A cultural masterpiece for the discerning reader."...Kathleen Keena, author of Adolescent Depression Outside/In

Opportunity Alerts


Dog Lovers! Here's one for you: AMERICAN KENNEL CLUB FICTION WRITING CONTEST NO ENTRY FEE. Submit one short story, maximum 2,000 words. Entries can be on any subject, but must feature a dog. (But it can't talk) Prizes $500, $240, $100. Deadline January 31.

CRAZYHORSE PRIZES IN FICTION, NONFICTION, POETRY $20 fee (includes subscription). This is a biggie, well worth the fee. This venerable literary magazine has published the likes of John Updike, Raymond Carver and Billy Collins. Winners in each category receive $2,000 and publication. Submit up to 25 pages of prose or three poems. All entries considered for publication. Submissions accepted in the month of January only.

2014 BETHLEHEM WRITERS ROUNDTABLE SHORT STORY AWARD $10 ENTRY FEE. Submit 2,000 words or fewer on the theme of "Food Stories". In addition to a $200 prize, the first place winner's story will be considered for print publication in the Bethlehem Writers Group's next anthology or as a featured story in Bethlehem Writers Roundtable. Their last anthology won Indie Book Awards for Best Anthology and Best Short Fiction. Second place will receive $100 + publication in the BWG Writers Roundtable. Deadline January 15th.

Geist Literary Postcard Contest Canada's favourite writing contest is back! Enter now for your chance at literary fame and fortune! How it works: Send a story and a postcard—the relationship can be as strong or as tangential as you like, so long as there is a clear connection between the story and the image. If you’re not sure where to look for a postcard, you can make your own or visit Wikimedia Commons. The story can be fiction or non-fiction; maximum length is 500 words. For a classic example of a postcard story, read "How to Survive in the Woods" or "Death in the Family." Prizes of $500, $250, and $100 CND $20 fee. Deadline February 1st.

Writers over 40: Midlife Collage is a literary website that runs a creative nonfiction essay contest every month with progressive cash prizes. Stories must be true. Approximately 800 words. All submissions are entered into a $50 Weekly Contest. If a writer wins a $50 Weekly Contest, the writer may submit a Never-Published Story into their next $100 Contest. More info at Midlife Collage contest page.

The Ebook Market No Author Should Ignore: Think Globally!


One of the biggest changes the e-reader has brought to the publishing industry doesn't get much cyberink in the online book community.

It's the huge international market that's opening up now that we don't have to pay to ship physical books around the world.

If, like me, you've ever experienced that terrible moment on vacation when you discover you have nothing left to read in your native tongue but a copy of Henry James' The Golden Bowl you got in trade for your last Agatha Christie in that Athens hostel...you know how tough it used to be to find English language books abroad.


But no more!

The e-age has given us a global book market.

This weekend, some health challenges kept me from the Central Coast Writers Conference—a big disappointment—but it allowed me to stay home and see the first installment of PBS's series of Shakespeare's history plays, dubbed "The Hollow Crown." I got to watch a breathtaking production of Richard II. It contains some of Shakespeare's most eloquent love-letters to the mongrel language we call English.

Since I had just received this post on the international book market, I felt a small sense of irony when James Purefoy as Mowbray spoke those famous words protesting his exile from the Sceptered Isle.

"The language I have learn'd these forty years,
My native English, now I must forego:
And now my tongue's use is to me no more
Than an unstringed viol or a harp."

In the 21st century, exile is not so harsh. As Jay and the crew at Ebook Bargains UK tell us in this week's post: a whole lot of people all over the world now speak English.

They read it, too.

Which means there's a global market for ebooks in English that indie authors can tap into—with no worries about translation, shipping, or "foreign rights."

But most authors who write in English still focus on selling exclusively in the U.S. That worked for some of the big indie success stories a few years ago, but this is a rapidly changing industry.

Do you know the country where people read the most books? I sure didn't. According to a July article in the L.A. Times, it's India. And you know where the second biggest population of English speakers lives? Again, it's India. Followed by Pakistan and Nigeria.

Combined, those three countries make up a larger population of English speakers than in all of the US.

I've mentioned in several posts recently that I've been getting a boost in my sales outside the US thanks to a new ebook promo newsletter that's venturing where the big US advertisers like BookBub, Kindle Nation Daily and Pixel of Ink don't go: the international markets.

For those of you who aren't published yet, you may not know the ebook bargain newsletter is rated by many as the most effective way for new authors to get noticed. Buying ads in daily newsletters like Kindle Nation Daily, E-Reader News Today, Pixel of Ink, and Bookbub is one of the best ways to get a new book in front of readers.

But they have some big drawbacks:

  • They're pricey. 
  • They only sell to the US. 
  • They demand a huge number of Amazon reviews: reviews on blogs, newspapers, or on other retail sites don't count. 
  • Most only link to Amazon.

I'm lucky my publisher connected with EbookBargainsUK (EBUK for short) early, so we got in on some of their initial freebie ads. But the ads are still remarkably low priced, and I have seen direct results. After a "spotlight" week in the newsletter, my boxed set reached #2 in Canadian women's fiction: right between Margaret Atwood's latest and the new Bridget Jones. A fantasy come true for a longtime fan of both Atwood and Fielding. It also charted in France, Germany and Brazil.

The EBUK newsletters don't have all the bells and whistles of the big American promoters, and they've only been going a few months, but as co-founder Jay Housden explained to me, what they lack in budget and fancy tech they make up for in enthusiasm and ambition.

A whole lot of ambition, as you'll see below.

And okay, I have a thing for all things Brit, as my readers know. (Yes, the next Camilla adventure will take us back to Swynsby-on-Trent. And there's a possible future jaunt to India, where Camilla's etiquette books are very big. Funny how our fiction can sometimes be predictive.)

EBUK's newsletters target English-speakers all over the world. And as they will tell you, ebooks are already a major factor in the global marketplace.

I'm a little embarrassed by my ignorance about this stuff. I didn't have a clue my books were on all these international sites. If you don't have a savvy publisher like mine, you may want to use self-publishing sites like Smashwords or D2D who will automatically put you on most of the international retail sites.

I know this piece is more promotional than what we usually accept, but I was so blown away by the info, I had to share it with you. Plus I'm a big fan of Mark Coker at Smashwords, and he echoes their vision in a great post about the Indian market here. Smashwords is working at putting indies into as many of these markets as possible. It looks as if this will make Smashwords a much bigger player in a few years.

Maybe someday, like Camilla in No Place Like Home, you'll be able to put a down payment on a little cottage with the proceeds from your international sales.

So Mick, Jay and the EBUK tech geniuses—take it away!
                                                                                                             ...Anne

Why Every Author Should Start Thinking Globally

by the EBUK Team




Given we only launched Ebook Bargains UK (EBUK) this summer, on a shoe-string budget from a bedroom in Bedford, with the impossible ambition of promoting English-language ebooks to a world that supposedly doesn’t know ebooks exist, we’re pretty pleased with how things are going.

We started the first EBUK newsletter because we were tired of seeing newsletters that only linked to Amazon—usually only Amazon US. We'd search for the book on Amazon.co.uk or another UK site, and find it wasn't on sale to us.

We also wanted to know about ebook bargains to be found at our own UK bookshop sites, like Foyles, Waterstones, W.H. Smith, Tesco etc.

We soon realized such a newsletter would be useful in Canada and Australia and India...and English speaking countries all over the world. So our one newsletter rapidly expanded to ten. We hope to have twenty by the end of the year.

Okay, so right now our number of subscribers is pitiful compared to BookBub's million. But it's important to bear in mind EBUK is targeting the nascent markets, not a mature market like the United States. The vertical expansion (subscribers) is inevitably going to be slow to start. But the list is growing daily.

We believe the international English-language ebook market will dwarf the US market in the coming years. Which is why we’re happy with our gradual vertical expansion and are instead focused on our lateral expansion – reaching out to readers around the globe.

By the time you read this we will have just launched Ebook Bargains S.E. Asia, the twelfth of our international newsletters. By no coincidence it coincides with the launch of the new Kobo store in the Philippines.

The S.E. Asia newsletter (Not just the Philippines but Thailand, Singapore, Malaysia, Vietnam, Indonesia, etc) will join daily promo newsletters already shipping to:
  • Australia
  • Canada
  • Germany
  • India
  • Ireland
  • the Netherlands
  • New Zealand
  • South Africa
  • Spain
  • UK
  • USA
Ebook Bargains France, Italy and Scandinavia will be following next month, with another five to add before the year’s end.

Each daily newsletter carries the same titles, but the Australia newsletter only has links to retailers available in Australia. The German newsletter only has links to retailers available in Germany. The Dutch newsletter only has links to retailers in the Netherlands. Etc.

Ebooks Down Under

Guess what? Oz has been selling ebooks since the last century.

You’ve probably never heard of ebooks.com but they’ve been selling ebooks since 1997, ten years before Amazon introduced the Kindle – and are still going strong.

Amazon is estimated to have just over a 60% market share in Australia, which means four out of ten readers are shopping elsewhere.

Some of you may be familiar with Angus & Robertson and Collins, both supplied by Kobo.

What you probably don’t know is that Australians can also buy ebooks from:
  • Booktopia, 
  • Bookworld
  • Dymocks
  • QBD
  • Fishpond 
  • Here’s our host Anne R. Allen in Bookworld.
  • Then of course there’s the Apple iTunes Australia store
  • and the GooglePlay Australia store. 
  • And not forgetting the Sony Australia Reader Store. 
Sony have been quietly reinventing themselves while your back has been turned and now have seven international stores – here’s Anne R. Allen in their Australian store.

Even the German ebook retailer 'txtr (no, that’s not a typo) has an ebook store in Australia. And guess who’s got her ebooks there...

All these stores are selling ebooks to Australians in Australian dollars. Well, all except Amazon. They haven’t got a local store yet. And Australians have plenty of devices to read on. Not just Kindles and the now ubiquitous Kobo range, either.

Then there’s the indie stores! Sydney bookstore Pages & Pages has been tempting patriotic Aussies to trade in their Kindle for AU$50 and buy a BeBook ereader instead. And for every AU$50 you spend on books or ebooks in a month in their store you get a AU$5 discount the following month.

Don’t under-estimate the niche marketing power of indie bookstores as they turn digital, be they in Australia, New Zealand, the UK or the USA.

What about Europe?

Most people know there's an Amazon store in Germany (Amazon.de) But you may not know there are many others:
Sony also have a Reader Store in neighbouring Austria, and guess who’s there....

In fact there seems to be no escape from Anne R. Allen.  It would be easier to tell you where she isn’t!

Here’s Anne R. Allen in Ireland’s prestigious Eason ebook store in Dublin. Eason will shortly be releasing their own ereader. 

Her ebooks are even in Iceland!

The Netherlands? No Amazon store there yet, so no Anne R. Allen, right? Ah, but there is:
  • A local Dutch language Kobo store. 
  • And an Apple iTunes Netherlands store
  • And a GooglePlay Netherlands store
  • And of course a ‘txtr Netherlands store 
(Here’s Anne R. Allen for Dutch buyers in ‘txtr NL). And that’s before we start on the local competition: local Dutch ebooks stores. The Dutch retailer Bol has been busily selling ebooks in Holland since 2009, the same year Amazon launched KDP in the US.

No doubt you’ve been reading excitedly about the new US start-ups offering ebooks subscription stores.

Guess what? Skoobe in Germany and 24 Symbols in Spain have been doing it for years.

Denmark has two rival ebook subscription services, Riidr and Mofibo.

Incidentally 24 Symbols is dual language Spanish and English, acknowledging the huge number of Brit expats living in Spain with nothing to read. Come to that Skoobe is dual language, too.

 Far more people speak English in Germany than most people imagine. How does 40 million English speakers in Germany grab you?

The truth is, Europe is an untapped ebook goldmine. 

GooglePlay has figured that out. They already had ebook stores in the USA, Canada, UK, Australia, Germany, France, Spain and Italy as of July this year. Oh, and also Austria, Belgium, Brazil, Ireland, Japan, Mexico, Portugal, South Korea and Russia. Pretty impressive.

Then across the summer they rolled out additional ebook stores in the Netherlands, Denmark, Sweden, Finland, Greece, Hungary, the Czech Republic, Poland and Romania. That’s twenty-seven ebook stores around the world. So far. Not in GooglePlay? Might be worth the effort.

Then there’s that bizarrely named 'txtr (no capital, the apostrophe is compulsory, and despite the lack of vowels they are German, not Welsh) has no less than seventeen ebook stores around the globe. Mostly in Europe, including a 'txtr UK store, and also in Australia, Canada, New Zealand, South Africa and America.

And 'txtr has some big surprises lined up. You may never have heard of them until now, but if you’re not in the ‘txtr international stores then you will be missing out on some big opportunities ahead. Here's Anne in ‘txtr Ireland. And in ‘txtr Poland.

Africa

Here’s Anne R. Allen in ‘txtr South AfricaSouth African readers can also buy Anne’s books in the local Kalahari store, where they might choose to read on the local gobii e-reader rather than a Kindle or the Kobo devices sold nationwide by the country’s biggest supermarket chain Pick-N-Pay.

Nor is it just Europe, South Africa and Down Under that have been busily enjoying ebooks. 


Latin America

Over in Latin America you’ll be surprised (or maybe not by now) to learn they don’t just have the Amazon Brazil and Amazon Mexico stores to buy from.

Here’s Anne R. Allen in Livraria Cultura in Brazil. Okay, no more plugs for Anne’s titles (thanks guys...I was feeling a little embarrassed by all that...Anne) You get the picture.

And the rest of Latin America? BajaLibros is third largest Spanish language ebook store in the United States, and they’ve been selling ebooks in Argentina since 2010, the same year the Kindle arrived in the UK. They produce their own ereaders which, along with their ebooks, are sold across Latin America and also in Spain.

Wonderful as it was to see the Kindle store arrive in Brazil, and more recently Mexico, the truth is Latinos were buying ebooks long before. Here’s BajaLibros in Brazil. And here in Mexico. They also have stores in Bolivia, Chile, Colombia, Costa Rica, Ecuador, Paraguay, Peru, Uruguay and Venezuela, not to mention Puerto Rico and the Dominican Republic. BajaLibros produce their own ereaders too.

Argentina
was the UNESCO Book Capital in 2011, and earlier this year managed to cram over one million visitors into the Buenos Aries Book Fair, so let’s be in no doubt Argentines like reading.

But don’t go thinking BajaLibros is the only ebook show in town.

Grammata have also been selling ebook and ereaders in Argentina since 2010, and are now pretty much everywhere where Spanish is spoken. Here in Colombia, for example. They’re even in Spain! And if you don’t fancy buying from Grammata, pop along to Movistar (started 2011, has own ereader) or try Amabook. Amabook too has ebook stores across Latin America, as well as in the US! And it too beat Amazon to Mexico.

This is just the tip of the iceberg. An iceberg growing at a phenomenal rate.

Ebooks are being sold on six of the seven continents.


But let’s end where we began, in Asia

In Thailand Kobo is working hard to launch a Thai store, but meantime local retailer Ookbee has well over 80% of the market. Ookbee already has a three million strong customer base and is currently picking up new customers at the rate of 6,000 a day. Ookbee launched in Malaysia this summer, where it picked up 100,000 customers in its first two months.

They are opening an ebook store in Vietnam where competition is already fierce from Aleeza and Biitbook `– Biitbook even has its own self-pub portal!

Ebooks have been slow to come to the Philippines. But that all changed this month with the launch of the Kobo Philippines store, in partnership with the National Book Store chain, which now sells both print and ebooks to Filipinos.

What if we told you National Book Store is not a translation from the local Tagalog language. Most of the signs in store – and most of the books – are in English? 

There are 75 million English speakers in the Philippines. More than the entire population of the UK!

Did we mention we launched Ebook Bargains S.E. Asia this week?

China is not the easiest market to get into, but just this month OverDrive signed a major distribution deal with the Chinese authorities, which means their entire catalogue will be available to Chinese readers in due course.

At Ebook Bargains UK we are trying to stay a few steps ahead as we watch the international ebook market blossom. What we lack in fancy high-tech websites and slick newsletters (that will come as the advertising revenue builds) we make up for in knowledge of the international ebook scene and unbridled enthusiasm. 

We produce regular helpful newsletters for authors about how to reach and promote in these markets.

We all know how difficult it is to break into a mature ebook market. Most best-selling indies got in to either the US or the UK markets very early on. Very few have managed to do well in both.

But what is happening now is unprecedented in publishing history. In the old world, book distribution was physical. It was simply not viable to print and distribute English language books en masse even to countries like Australia or New Zealand, let alone Iceland or Indonesia, or Paraguay or Papua New Guinea.

Digital changes all that. Here’s some numbers for you.

There are about 150 million English-speakers in India, and while local languages books and ebooks
are available, the ebook retailers’ sales report mostly English-language titles selling, and with increasing rapidity. The question is how to get your books noticed and bought in this huge potential market.

Indians have been enjoying ebooks for several years. The Amazon India store is actually a bit of a late-comer. Way back in 2011 Indian retailers were selling Android tablets for... wait for it... $35. And buying ebooks from local stores like Flipkart, Infibeam and Pothi. Here’s Anne R. Allen in India’s Infibeam, the country’s second biggest ebook retailer after Flipkart. (OK, but that's the last one, guys...Anne)

Flipkart? India’s on-line giant Flipkart has an estimated 80% market share. 

As of this month Smashwords is distributing ebooks in India. 

You can also upload direct to another key Indian ebook retailer, Pothi. Along with Amazon India that’s a great base from which to become a future indie best-seller on the sub-continent, if only readers there knew your books existed. (Say, did we mention we have an Ebook Bargains India newsletter?)

But back to those numbers. When we said we expect the international English-language ebook market to dwarf the US market we weren’t joking.

In just India, Pakistan and Nigeria, the number of English-speakers exceeds the entire population of the United States!

And the rest of the world? Well, there’s upwards of 75 million English speakers in the Philippines as we’ve mentioned already. Over 40 million English speakers in Germany. 30 million in Bangladesh. 30 million in Egypt. 25 million in France. 20 million in Italy. 17 million in Thailand. 15 million in the Netherlands. 15 million in South Africa. 12 million in Poland. 12 million in Turkey. 11 million in Iraq. 10 million in Spain. 10 million in China.

Then there’s Brazil, Sweden, Kenya, Cameroon, Malaysia, Russia, Belgium, Israel, Zimbabwe, Romania, Austria and Greece, all with between 5 and 10 million English speakers each.

A very conservative estimate puts the number of English-speakers outside the USA at around 750 million, quite apart from the UK (60m) , Australia (20m), New Zealand (4m) and Canada (25m).

Because of the logistics of print distribution English-language print books have never even begun to approach their true sales potential. Digital changes everything.

And you have a chance to get a foot on the first rung of the international ladder now, before everyone else does.

How to find and get into these retailers you’ve never heard of and promote in countries you thought were still reading on parchment? That’s where we come in.

One small fee (and we do mean small – prices start at just $5 a day) will get you in however many international newsletters we have. Right now that’s $5 to appear in twelve newsletters going around the globe. The small fees reflect the small returns you should expect at this stage given these are nascent markets and our subscriber base is still building. Be realistic. But every paid ad gets a credit for a free ad of equal value, so effectively it’s two for one. And there are plenty of listing options. We’re a little bit different from all the other newsletters out there.

You can find links to the daily newsletters on our Facebook page. And connect with us on Google+. You can subscribe to the reader newsletters by country /region, sign-up for the authors’ newsletter, or check out the author page on our website. 

We all dream of becoming a truly international bestselling author. Ebook Bargains UK can help make that dream come true.
***

Pretty amazing stuff, isn't it, scriveners? (Although I think the penguin community should lobby for an Antarctica ebook store.) The guys say they're going to check in on the blog when it goes live on Sunday (nighttime in the UK.) So ask your questions. I know I have some. Like how hard is it to get into all these bookstores? Ask away....

Book Bargain of the Week

Sale extended! No Place Like Home is still 99c
 on Amazon USAmazon UK, and Amazon CA (and yes, after reading this post, I'm going to get my publisher to take it out of Select and make it available on other platforms, lickity split!...Anne)


"A warp-speed, lighthearted comedy-mystery"...Abigail Padgett
"A fun, charming novel about the rich and less so" ...Karen Doering
"A cross of dry British humor and American wackiness, and it all adds up to a fun read." Deborah Bayles

OPPORTUNITY ALERTS


The Harper's Bazaar UK Short Story Prize is open to all writers. NO ENTRY FEE. Are you the next Dorothy Parker or Anita Loos? Submit an original short story (up to 3,000 words) on the subject of 'spring' to:shortstory@harpersbazaar.co.uk. The winning entry will appear in the May 2014 issue. Its author will be able to choose a first-edition book from Asprey's Fine and Rare Books Department to the value of £3,000 and enjoy a week-long retreat at Eilean Shona House, on the 2,000-acre private island off the west coast of Scotland where JM Barrie wrote his screenplay for Peter Pan. Deadline December 13th.

The Rumpus has launched the Weekly Rumpus and is calling for submissions. They are interested in "sharp, fresh, original work that grapples with life as it is really lived and felt in the world today. We want writing that walks on a wire, questions conventions, conveys a vision." 1000-6000 words. Here's their submissions page.

Quirk Books "Looking for Love" contest. They offer a $10,000 prize for the best quirky love story of 50,000 words or more. Visit the Quirk Books website to download the entry form or for further information. Quirk Books was founded in 2002 and publishes around 25 books each year. Their bestselling titles include Pride and Prejudice and Zombies and Miss Peregrine’s Home for Peculiar Children. Entries close October 1.

SMOKE AND MIRRORS podcasts. Get your short story recorded FREE for an online podcast! Fantastic publicity if your story is accepted by SMOKE AND MIRRORS. They broadcast about three stories a week. Spooky, dark tales preferred. No previous publication necessary. They judge on the story alone.

WILD LIGHT CONTEST for poets. The $25 entry fee is a little pricey, but this is run by the prestigious Red Hen Press and offers a prize of $1,000 and publication in The Los Angeles Review. Submit up to three poems of up to 200 lines each. Deadline October 15, 2013.

Three Keys to Writing Memorable Fiction

This week Ruth Harris discusses one of the major elements that separates ho-hum storytelling from bestselling fiction: details. 


Yes, we know you're often told to keep details to a minimum, and that's a good rule, but like the judicious use of seasonings in cooking, choosing the right ones will make the difference between a bland, generic dish and memorable cuisine.

As Ruth says below,"writers don't have to know everything, but they need to be interested in everything." We need to be on the lookout for just the right detail that will add the most punch to a story. Living in the Internet Age, we don't have to spend endless hours in libraries to find them.

What sort of details should you choose? Ruth tells us they're the ones that put your story in a 1) social, 2) cultural and 3) political context. I love the examples Ruth has chosenthey're some of my favorite books, films and TV shows of the past few decades. (There's a reason we work so well together as blog partners!) 

Would Downton Abbey or Mad Men have the same impact if they were set in the present? Could Homeland be set in any other period? Could the AbFab duo exist without the legacy of 1960s Swinging London? 

We are constantly told that story is alland yes, story is the engine that drives your bookbut it won't have the impact you want without a powerful sense of time, place, and cultural context. 

THREE KEYS TO WRITING MEMORABLE FICTION
by Ruth Harris

Social, cultural, and political history are powerful tools no writer should ignore.
  • John Le Carré used the Cold War, the Berlin Wall and the real-life unmasking of a double agent to create a compelling setting in The Spy Who Came In From the Cold.
  • Isabel Allende’s The House Of The Spirits, a family saga partially inspired by the PInochet dictatorship, is set against decades of political and social upheaval in post-colonial Chile.
  • Alexander Solzhenitsyn drew on his experiences in the forced-labor camps of the Soviet prison system to create world wide bestsellers in One Day in the Life of Ivan Denisovich and The Gulag Archipelago.
However, writers do not need vast cultural and political disruptions to write powerful fiction readers can relate to. Ordinary, everyday details add enormous power to fiction and bring your story to life.

Whether your book is set in the conservative Eisenhower Fifties, the stylish Kennedy Sixties, Nixon’s Watergate and the gloomy Carter Seventies, the glitzy Reagan Eighties, or the Anxious-Age-of-the-Present, each period offers the writer its own specific backdrop and sound track. Trudeau’s Canada, Thatcher’s England, de Gaulle’s France, Ho Chi Minh’s China, Mubarak’s Egypt, Stalin’s Russia and Hitler’s Germany—all evoke powerful memories and feelings years after the events took place.

Characters need to be firmly anchored in a specific time and place. Even sci-fi and fantasy need social, cultural and political specifics to engage the reader. George Orwell’s 1984, Margaret Atwood’s Handmaid’s Tale and JK Rowling’s Harry Potter draw their power from their authors’ ability to create credible details of an invented world.

If you research and then judiciously set up the specifics of time and place, you will expand and enrich your fiction. Invoking the relevant cultural, political and social details will draw your reader into recognizable settings against which your characters can act out their dilemmas, frustrations and successes.

You shouldn’t give your reader a history lesson—that’s Doris Kearns Goodwin’s job—but you do want to give your characters a relatable world in which to live. Your characters can be—and should be—shaped by the attitudes of whatever period you choose to write about.
  • Peggy and Joan in Mad Men deal with the casual sexism of the 1960’s.
  • The characters in Downton Abbey are caught up in a long-gone post-Edwardian upstairs-downstairs world.
  • Patsy and Edina, the fashion victims in Ab Fab, booze it up, get high and keep up with nutty trends as they attempt to recreate their younger, glory days in Swinging London.
  • Carrie and Brody in Homeland are enmeshed in a paranoid present complete with bi-polar disorder, psycho-active drugs and a hero who might also be a terrorist.
  • Elizabeth Moss’s character in Top Of The Lake searches for a missing and pregnant twelve-year-old in a remote, misogynistic area of contemporary New Zealand.
The writers’ skillful use of these various eras bring the fictional characters who inhabit them vividly to life.
By using cultural history, high or low, past or current, your characters will become dimensional as they reflect the world around them. They can be limited by it—or they can rebel against it. Some will choose to drop out, some will learn to manipulate it, others will challenge it, some will be defeated and still others will triumph despite the barriers they face. 

Are you writing about a period in which people feel positive about the future and confident about their prospects? Or are your characters coping with the Depression of the Thirties or the financial crisis or downsizing of the recent past and present? How they think and feel and what they do to deal with opportunity (or lack thereof) offers a potent way to explore and expand the inner and outer lives of the people you’re writing about. 

Early Elvis, swinging Sinatra, Abbey Road Beatles, Motown Soul, Latino Salsa, Madonna’s Material Girl, Gangsta Rap, Lady Gaga’s and/or Rihanna’s latest immediately evoke times and places your reader will find familiar.
  • Did your heroine’s first serious romance—maybe with her tweedy, pipe-smoking Literature Professor—begin and end to Mozart?
  • Did your MC come of age when Michael Jackson was moon-walking?
  • Did that bad-boy rascal of a boyfriend give your heroine heartache only Patsy Cline could express?
Selecting just the right song and just the right singer can illuminate the emotional life of a character in a memorable way. (Anne here: Just remember to use the title, not the actual lyric--unless you're prepared to pay. Here's a recent blogpost on how to do that.) 

Then there’s wardrobe:
  • Garter belts or Spanx?
  • Turtlenecks or bustiers?
  • Lip gloss or va-va-voom Marilyn Monroe red lipstick?
  • A natural Fro, an old-fashioned perm, a blow dry bob or a Gwyneth dead straight ‘do?
  • Punky pink streaks, Bergdorf’s blonde or let-it-all-hang-out grey?
  • A hedge fund titan in a five-thousand-dollar suit?
  • A dude in jeans and a pack of cigarettes in the rolled-up sleeve of a T-shirt?
  • A genius techie billionaire in hoodie and sneakers?
  • Are their clothes worn ironically? Or un-? 
Choices in clothing, makeup and hairstyles telegraph different personalities and different attitudes. A wise writer will make use of each telling detail as s/he creates characters readers will relate to.

Writers don’t need to know everything but they do need to be interested in everything from the Mau Mau uprising in the 1950s to today’s California surfers. 

Research used to mean trips to the library, flipping through card catalogs and then waiting for the books to be pulled from the stacks. Research once meant slogging through microfilm, piles of old newspapers and magazines. It was time-consuming and often frustrating. Now, thanks to the web and Google, just about anything we want to know is instantly available.

Our world—past and present—is rich in incident, personality and conflict. It’s an oyster with a different pearl for every book, each character and every writer. An open mind and lively curiosity, a habit of reading widely, your own unique memories, passions and interests, plus basic research are your friends.

Embrace them and use them thoughtfully. Your readers will love you for it.

What about you, scriveners? What details do you use to anchor your book in time and place? Are there books that have more detail than you'd like? Do you read for setting as well as story?



SPECIAL WEEKEND SALE (Through Sunday, April 28 only)!

Ruth has reduced ZURI, a love story with all 5-star reviews, to $.99. ZURI will go back to its usual price on Monday, April 29.

Kindle  |  Nook

And remember all of Anne's mysteries are 99c until April 30.
After that, why not read Anne's Fitzgerald-inspired The Gatsby Game?




OPPORTUNITY ALERTS:

1) Literary Upstart Short Fiction Contest for writers in the New York area. You can submit your short fiction until May 28th; submissions must be no longer than 1,300-words. Semi-finalists, fifteen in total, will be invited to participate in one of three readings, in front of a live, lively audience, and a panel of judges comprised of members of the local literati. The grand prize winner will get a $500 award and be published in the annual Summer Fiction Issue of The L. Magazine. 

2) FREE book advertising to British readers from EbookBargainsUK Lots of authors and publishers have had huge successes with their free or sale books by advertising on BookBub, ENT, KND, POI, etc. But none of those target the UK, and their links go to US sites Brits can't use. But now there’s a newsletter for UK readers only. It links to all the big UK retailers like Apple UK, Waterstones and Foyles as well as Amazon UK. They don’t sell books direct or get paid for clickthroughs, so they don't have any restrictions on how many free books they can spotlight like BookBub and the others. So it's THE place to tell Brits about your book when it goes free or on sale in the UK. Since Brits have the highest number of readers per capita of any country in the world, this looks like a great idea to me: Plus: the site will be offering FREE book ads until May 31st, on a first come, first served basis. But note: BE SURE TO READ THE DIRECTIONS. I've had complaints that a number of people are just leaving notes to "pick up the details and cover on my website." DO not do this. Just because this service is free right now does not mean you don't have to be professional. 

You can see the nice ads they gave Ruth and Anne in this weekend's newsletter.

And if you're in the UK, do sign up for their newsletter. It brings links to free and bargain ebooks—at the UK bookstore of your choice—in your inbox every morning. You can subscribe here.

3) The Saturday Evening Post’s Second Annual Great American Fiction Contest—yes, THAT Saturday Evening Post—is holding a short fiction contest. Could you join the likes of F. Scott Fitzgerald; William Faulkner; Kurt Vonnegut, Jr.; Ray Bradbury; Louis L’Amour; Sinclair Lewis; Jack London; and Edgar Allan Poe? $10 entry fee Deadline July 1, 2013

4) Find a Writing Group through Galley CatOne of the most reliable and popular news outlets in publishing is creating a directory for writers to network to get critiques of their work You can sign up here. 

5)  Readwave: A showcase for short stories: ReadWave is a community of readers and writers who love to discover and share new stories from contemporary writers. Readers can access thousands of stories and read them for free on mobile or desktop--and writers can use ReadWave to build up a fanbase and market their stories online. ReadWave has created a new reading widget, that allows bloggers and website owners to embed stories online in a compact form. The ReadWave widget is the first reading widget to allow readers to "follow" the writer. When a reader follows a writer they are added to the writer’s fanbase and can receive updates on all of the writer’s future stories. ReadWave puts writers in touch with the readers that are right for them. This looks like a great innovative site. You know how I've been encouraging you to write more short fiction? This is where to put it to start building a fan base.


“Authors behaving badly” tends to be a hot topic on booky forums and blogs these days. A lot of people blame the indie movement, but some of the worst social media behavior I’ve seen comes from Big 5 authors who are following the dictates of their marketing departments.

Unfortunately, a lot of marketers seem to have studied their craft at the “let’s cold-call random strangers just as they sit down to dinner” school of salesmanship.

As a general rule, I feel if someone has the social graces of a rabid squirrel, he’s probably not the guy to listen to on the subject of winning friends and influencing people—which is what social media is all about. So if you have any choice, ignore the squirrels.

Especially if they tell you to follow a bunch of other authors and then spam them unmercifully until you sell a million books. Because hey, if you’re not selling, you’re not spamming hard enough, right?

Wrong. Thing is, other authors probably aren’t your best audience anyway, unless you’ve got a nonfic book of writing or publishing tips. So think twice before you market to other authors—especially authors outside of your genre.

And even if you’re sure you're targeting the elusive “reader” instead of fellow authors, remember fans are not forever. They don’t like to feel badgered. Asking them to tweet and share every promo and blogpost can turn a satisfied reader into an annoyed boycotter.

Keep in mind that social media isn’t about numbers, no matter how numbers-oriented your marketing department squirrels are. Social media is about making actual friends, not about mass-“friending” a horde of random strangers in order to annoy them.

You’ll make a lot more real friends and sell a lot more books in the long run if you heed the following dos and don’ts.

1) DO remember Tweets are casual: Never tweet a query—not to an agent, reviewer, blogger or editor. Here's Peter Ginna of Bloomsbury Press on the subject . Tweets are breezy and fleeting. When you approach a professional, be professional. Whether you want a review, a guest blog spot, or you’re looking for representation or publication, Twitter is not the place to make your pitch. E-mail is the proper medium.

2) DON’T post advertising on anybody's Facebook “wall”.  A person’s wall is how they present themselves to the world. When you plaster the cover of your book on their timeline you seriously mess with their brand.

Put a naked vampire in bondage on a Christian romance writer's page, and you not only are NOT going to make a sale, you're going to lose a ton of sales for that author. And probably make an enemy for life.

And to whoever put the huge pictures of Krishna on my FB page every day for a week, you'll notice it was bye-bye, not buy-buy. You have no idea how freaked my friends and family were. They thought I'd been kidnapped by a cult or something.

Posting on somebody’s wall is like putting a sign in the front window of their house. Don’t do it without permission. This is true for pleas to sign petitions or donate to charities, no matter how worthy the cause.

And it’s especially true for ads for your own books. I just read a lament from a paranormal author whose wall was getting spammed with links by the author of a similar paranormal book. It may have been an attempt at networking, but it came across as trying to steal readers.

The ONLY time it’s OK to post on somebody’s wall is a ) when you know them well AND b) have something to say that will enhance their wall. Like “happy birthday” or “LOVE your book: just gave it a rave review on my blog: here's the link."

3) DO use social media to interact with people, not to broadcast a never-ending stream of “buy my book” messages. People whose Twitter stream is the identical promo tweet over and over look like robots with OCD. They will only get followed by other compulsive robots.

Twitter is a place to give congrats to a newly agented writer here or a contest winner there. It’s a wonderful vehicle for getting quick answers to questions. Or to commiserate when you've had a disappointment. Or if you’ve found a great book you love, tweet it. Facebook is great for sharing fun videos and talking about them. And for commenting on news items and sharing them. (Keeping in mind #14)

Social Media is a party, not a telemarketing boiler room.

4) DON’T make up an email list from people who have contacted you for other reasons. ONLY send newsletters to people you have a personal connection with, or who have specifically asked to be on your list. Lifting emails from blog commenters without permission is considered especially heinous. Cue Law and Order music…

Yes, I know marketers are hung up on email lists. They tell you to snag 1000s of names of people to harass with weekly spamograms filled with the details of your last trip to the laundromat. Obviously marketers aren’t on any email mailing lists themselves, or they’d know that 99% of those things go into the trash without being opened.

5) DO use Direct Messages sparingly. Private messages are for personal exchanges with people you have a legitimate connection with—not for advertising. The fact somebody has followed or friended you back doesn’t give you license to send them advertising through a private message. This is especially true with “thank you for the follow” messages that come with a demand to “like” your author page, visit your blog and buy your products.

I advise against using any kind of automatic Direct Messages. Sending an auto-response "thank you"  that says, “read my blog, and someday you, too, can become a published author” is not going to get you anything but an auto-unfollow from Ruth or me. I must get five or ten of those a week. One-size-fits all responses usually don't fit anybody.

Yes, I realize the auto-respond DM is #1 on the marketer's list of favorite toys, but if you annoy 1000 people in order to make one sale, does that really help establish an attractive brand? (Don't ask a rabid squirrel to answer that or you'll witness some serious mouth-foaming. So just nod nicely and fail to get around to setting up that auto-response.)

I think authors should be careful about automating social media at all. I know lots of people tell you to automate your tweets, but that can lead to social missteps like the one Kim Kardashian made on the day of the Boston bombings.

As a general rule, if you can’t be bothered to put the recipient’s name in a message and you know nothing about them, you have no business sending them a direct message.


6) DON’T forget to check your @messages on Twitter several times a day and respond to them. It only takes a moment, but those are people reaching out to you. Ignoring them will negate what you're doing on Twitter in the first place.

 7) DO change the Facebook default "email" address to your actual email address. You are on social media to connect with people. Post a reliable way to connect—which that Facebook address isn’t (see #8.)

Last year Facebook erased all our email addresses and put in a Facebook Direct Message address instead. You have to change it manually to get your real email address back in there. I strongly suggest you do this, especially because of the problem with messages getting lost in the “other” file.

I've heard rumors that FB wants to charge for sending messages to anybody not on your Friend list.  I don’t know if it’s true, but be safe. Be findable. Who knows, some Hollywood producer may have just read your book and be trying to contact you to option your book. Don’t let him languish in your “other” file.

Which leads me to…

8) DON’T forget to check your “Other” Folder on Facebook regularly. People who want to contact you for legitimate reasons may contact you through a Direct Message, but if they’re not on your “friend” list, the message goes into your “other” file.

A lot of FB users don’t even know it’s there.

If you’ve never heard of it, go to your home page and click on the message button on the left side of the toolbar (It’s the one in the middle, between friend requests and notifications.) They’re semi-invisible if you don’t have anything pending, so if it’s all blank up on the left side of that blue toolbar at the top of the page, move your mouse slightly to the right of the “facebook” logo in white and click around.

Mostly your “Other” file will be full of spam and hilarious messages from third world guys who think Facebook is a dating site. They’ll say stuff like “You face to be so beautiful. I am want to scam you for everything you’ve got get to knowing you for marriage.”  For some reason they seem to target women who are married and/or over 45. No idea what’s up with that.

But nestled in there you may find a note from a fan or a fellow author who wants to co-promote or is asking you to join a blog hop or something useful. So do check it once a week or so.

9)  DO post links to your website on all your social media sites. And have your contact info readily accessible on your site! Being paranoid on social media makes your presence pointless. Even if you’re on the lam, incarcerated, and/or in the Witness Protection Program, you need to be reachable if you want a career. Use a pen name and get a dedicated email address where you can be reached at that Starbucks in Belize.

10) DON'T "tag" somebody in a photograph unless they're in the picture. This is an unpleasant new way writers try to get people to notice their book or FB page. They'll post their book cover or some related photo (or worse, porn) and "tag" 50 random people so they'll all get a notification.

But here's the thing: a tag means a person is in the photo. Full stop. Yes, you may get a person's attention with this—but not in a good way. It's a nasty invasion of privacy as well as a lie. You're not just going to be unfriended and unliked—if you tag somebody in a pornographic photo, you could get sued.

Remember you're trying to get people to like you, not wish for you to get run over by a truck.

11) DO Network with other writers in your genre. Instead of spamming her fellow author’s wall, that paranormal author I mentioned in #2 could have sent an email (or DM—yes, this is a time when it’s OK) saying how cool it is they have such similar books and how about a joint contest or give-away? Joining up with other authors to share fans and marketing is one of the reasons you’re on social media. You’re not here to sell to other authors, but you are here to pool your resources.

Look how well Ruth and I have done with this blog by teaming up. We met through her comments right here in the thread. Commenting on blogs is one of the best ways to network.

12) DON’T thank people for a follow, especially on Twitter. It may seem like bad manners, but the truth is most people on Twitter and FB would prefer you DON’T thank them for a follow, because those thank-yous have become 99% spam. But if you must, send it in a @ tweet. If you actually want to show gratitude, retweet one of their tweets. Then maybe they’ll thank YOU and you can get a conversation going.

13) DO talk about stuff other than your book. Yes, we’re all here because we want to sell books, but social media is not about direct sales. It’s about getting to know people who might help you make a sale sometime in the future. Consider it a Hollywood cocktail party. You don’t launch into your audition piece every time you’re introduced to a film executive. You schmooze. You tell them how great their last picture was. You find them a refill on the champagne. You get them to LIKE you. Then you might get asked to audition in an appropriate place.

NOTE: Don't talk politics or religion, though. Save extreme partisan or discriminatory religious talk for a different social media account, or better yet, take it offline. It's fine to let people know your religious or political affiliations, but remember your readers may not share them.

14) DON’T call it “giving back” when you’re actually advertising. This is a personal pet peeve of mine. People who say they’re “paying it forward” or “giving back” by letting you know about their book launch, blogpost or freebie days on Amazon are doing no such thing. They’re giving publicity to themselves.

(And I think Catherine Ryan Hyde should get a royalty every time somebody uses the expression “pay it forward”. Most of us had never heard it before her book came out, and now you hear it dozens of times a day. Often misused by marketers. If you use it, at least use it right.)

15) DO Read the directions. If you’re invited to join a group, and you’re instructed to put links to your books only in certain threads, do so.  Anything else will be treated as spam and you could get kicked out of the group. And don't dominate any site with your personal promos, even if it isn't expressly forbidden in the rules. Taking more than your share of space is rude. People don't like rude.

16) DON’T ever dis a reviewer online. 
If you get a horrible, stupid, brain-dead review from some moron who wouldn’t know great literature if it bit his big fat butt, step away from the keyboard. Go find chocolate. And/or wine. Call your BFF. Cry. Throw things. Do NOT turn on your computer until you’re over it. Except maybe to see these scathing reviews of great authors. A bad review means you've joined a pretty impressive club. 

What about you, Scriveners? Have you been making any of these faux pas? (I'm not going to claim I haven't. I have trouble reading directions.) Do you have any funny "Other" folder encounters you want to share? Any do's and don'ts of your own would you'd like to add?

If you're not sick of me yet...
  • THE GATSBY GAME will be featured on The Cheap Ebook on April 23. I'm going to be talking about the new film of the Great Gatsby, and how I feel about a giving a contemporary soundtrack to the greatest story of the Jazz Age. I'll also be talking about the real Gatsby-obsessed man who inspired my novel. (oops. That's not happening until May 7.) 
  • And I'll be getting cheesy at Chick Lit Chat on April 22, helping Julie Valerie celebrate Grilled Cheese month. Stop by and win a free copy of THE BEST REVENGE. 

OPPORTUNITY ALERTS:

1) FREE book advertising to British readers from EbookBargainsUK Lots of authors and publishers have had huge successes with their free or sale books by advertising on BookBub, ENT, KND, POI, etc. But none of those target the UK, and their links go to US sites Brits can't use. But now there’s a newsletter for UK readers only. It links to all the big UK retailers like Apple UK, Waterstones and Foyles as well as Amazon UK. They don’t sell books direct or get paid for clickthroughs, so they don't have any restrictions on how many free books they can spotlight like BookBub and the others. So it's THE place to tell Brits about your book when it goes free or on sale in the UK. Since Brits have the highest number of readers per capita of any country in the world, this looks like a great idea to me: Plus: the site will be offering FREE book ads until May 31st, on a first come, first served basis.

And if you're in the UK, do sign up for their newsletter. It brings links to free and bargain ebooks—at the UK bookstore of your choice—in your inbox every morning. You can subscribe here.

2) The Saturday Evening Post’s Second Annual Great American Fiction Contest—yes, THAT Saturday Evening Post—is holding a short fiction contest. Could you join the likes of F. Scott Fitzgerald; William Faulkner; Kurt Vonnegut, Jr.; Ray Bradbury; Louis L’Amour; Sinclair Lewis; Jack London; and Edgar Allan Poe? $10 entry fee Deadline July 1, 2013

3) Find a Writing Group through Galley CatOne of the most reliable and popular news outlets in publishing is creating a directory for writers to network to get critiques of their work You can sign up here. 

4) The 35th annual Nimrod Literary Contest: The Pablo Neruda Prize for Poetry and The Katherine Anne Porter Prize for Fiction. The Awards offer first prizes of $2,000 and publication and second prizes of $1,000 and publication. One of the oldest “little magazines” in the country, Nimrod has continually published new and extraordinary writers since. For more information about Nimrod, visit their website at www.utulsa.edu/nimrod. Deadline is April 30th.

5) Readwave: A showcase for short stories:
ReadWave is a community of readers and writers who love to discover and share new stories from contemporary writers. Readers can access thousands of stories and read them for free on mobile or desktop--and writers can use ReadWave to build up a fanbase and market their stories online. ReadWave has created a new reading widget, that allows bloggers and website owners to embed stories online in a compact form. The ReadWave widget is the first reading widget to allow readers to "follow" the writer. When a reader follows a writer they are added to the writer’s fanbase and can receive updates on all of the writer’s future stories. ReadWave puts writers in touch with the readers that are right for them. This looks like a great innovative site. You know how I've been encouraging you to write more short fiction? This is where to put it to start building a fan base.