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Showing posts with label The Best Revenge. Show all posts
Showing posts with label The Best Revenge. Show all posts


Guest blogging is a great way for writers to improve visibility. Most host bloggers will allow you to link to your website and to your book "buy" pages, so the post can both improve your name recognition and sell books. It's free advertising and boosts your search engine rank.

Some authors don't have their own blogs and manage to do very well by simply guesting on other blogs several times a month. Ruth Harris did that before I roped her into invited her to join me here.

You don't have to be a published author to benefit. Guest blogging before you have a book out is a good way to pave the way for a launch, and it's an excellent way to raise your profile if you're a freelancer.

But don't assume all bloggers will welcome you. The higher ranked the blog, the more guest blog queries they're getting—and they may be burned out on the whole process.

Here we often get ten or more queries a day, which makes me sad, because we have to turn away most of them. We host a maximum of 12 guests a year, and book many months in advance. We don't often find the experts we need in "cold" email queries.

There are exceptions: the hilarious Melodie Campbell asked to guest blog with a friendly email query. Since she's a well-known author, creative writing teacher, and the President of Crime Writers of Canada, we were honored she wanted to visit.

She'd also been following the blog and mentioned several of her favorite posts, which made her a shoo-in. We've since become cyberfriends and I'm devouring her books.

Unfortunately, not many queriers are like Melodie. In fact, the one thing 99% of requests have in common is they show the writer hasn't visited the blog (although they give it high, generic praise.) But they don't have the slightest idea what the blog is about or who our readers are. Very few have read our "contact us" page.

They usually offer to blog about "the subject of your choice" and the only thing they seem to know about us is that our Alexa rating is low (a good thing) and our readership numbers are high (thanks, you guys!). They don't realize this is a slow blog focused on the publishing industry, and with only 4 posts a month, each post has to offer something pretty special to keep those numbers where they are.

I usually answer each query individually (which makes me feel some empathy with agents and editors.) I thank the writers and wish them all the best in their careers and then suggest that they, um, read a blog before querying.

After a morning in the guest-blog-request trenches, I decided to do some research. I discovered guest blogging is a hot topic in social marketing circles these days. That's because it is now one of the most popular ways to raise SEO and get backlinks to websites.

Unfortunately, it has also become a preferred venue for dodgy marketers and spammers. Many will provide mediocre content full of links to websites unrelated to the post—sometimes ads for male enhancement pills and "adult" sites.

Yeah, I felt kinda dumb when I realized I'd been working so hard to spare the feelings of porn spammers.

The spam problem has become so bad that Matt Cutts, a major Google blogger, says guest blogging has burned itself out. Last month he announced that guest blogging is dead.

Do note that other experts, like blog guru Jon Morrow, say it's only the low-quality content that's been consigned to the trash heap.

Certainly not every potential guest is offering spammy content. Many queries come from editing professionals, designers and fellow authors who might have something worthwhile to share.

Trouble is, they usually approach in an impersonal way and—although they may reference one post—don't have a feel for our tone or content. Often they make demands but don't offer much in return. Yes, we know it will help your book launch to get your covers and links in front of our 40,000 monthly readers. But if your post is simply a thinly disguised ad for your book or services, visitors will click away and may not come back.

Also, guest posts seldom get the hits our own posts do (readers seem to view guests like substitute teachers—not really part of the curriculum.) So a guest spot is something of a gift. You need to make bloggers want to turn their own bookselling platform over to you, either because you have a big following of your own, offer something fresh and unique, or they like you. Preferably all of the above.

Getting your (high quality) work onto a well-known blog is still one of the best ways to raise your search engine profile. The marketers are right about getting those "backlinks" from the blog to your site. It's a great way to get the Google spider-bots to notice you and raise your own website or blog higher on a Google search page.

But selling books isn't the same as selling shampoo or refrigerators.

With books, you're often better off targeting lesser-known blogs. Forget the SEO and Alexa ratings. Look for blogs that address your audience's niche. A visit to a chick lit blog with 50 followers may sell more copies of your chick lit novel than a visit to a general interest blog with 2500.

Here are some tips for authors who want to try guest blogging:


1) Read the blog before you query. Not just one post. Read several—and make sure you check the comments. That's how you can tell if the audience is right for the topic you're pitching. You don't want to pitch a "how to send your first query letter" post to an audience of published authors or a technical post on SEO to a poetry circle.

In fact, you can get great ideas for topics to write about by reading what people are asking questions about in the comments.

2) Comment on the blog. If bloggers have seen your name before, they're going to pay more attention to your query. The best way to break in is to get to know other bloggers and the blog community.

If you show your expertise in a certain subject in a blog comment, the blogger may even seek you out and ask you to be a guest. That's how we find most of our guests: in the comment thread. Not a query in a comment thread (don't do this), but with a useful comment that shows expertise and good writing skills.

It's how I connected with Ruth Harris. She commented several times on this blog and remembered reading her books when they were on the NYT bestseller list, saw she had no blog of her own at that point, and...the rest is history.

3) Learn how to write blog content. That means using sub-headers, lists, bullet points, bolding, and lots of white space. Older writers like me have a lot of re-learning to do when we start to blog.

I'll be writing a post soon about writing 21st century prose. Whether you're writing fiction, essays or blogposts, you attract more readers these days if you can write concise, skimmable copy.

4) Use a friendly, personal tone. A blogpost is not a news article, college thesis, or tech manual. Offer information in an entertaining, non-condescending way. Keep things light and encouraging. If you have a tale of woe, make sure the ending is hopeful and upbeat. (And be careful of language. Make sure it's appropriate for the blog. If you want to guest for somebody like Chuck Wendig, it's fine to go all four-letter in the text. On this blog, not so much.)

5) Don't just target book blogs. Think about where your readers might hang out.

  • Write crafting cozies? Try a blog that talks about selling crafts on Etsy. Crafters are probably going to be more excited about a new mystery about a crocheting sleuth than a bunch of writers whose Kindles are already overloaded. 
  • Have a war memoir? Find some blogs about veterans' issues. Most visitors might only buy two or three books a year, but if they "know" you, one might be yours. 
  • Set your thriller in an exotic local? Look to travel blogs. Travelers love to read books set in a country they're planning to visit—or would like to revisit via armchair.

6) Read the guidelines. If a blog doesn't have a separate "guest blog guidelines" page, it may be because they don't take many guests. But there will usually be a "contact us" page, so check it out. Bloggers sometimes don't give guidelines a separate page because spammers have been taught to search for guest blog gigs by Googling the blog name with "guest post guidelines".

But if they're posted anywhere, read them. Some bloggers may prefer to give you a topic, or may offer questions so the post can be in interview format. They may have specific requirements for number and size of photos and/or word count. They may suggest you offer a book give-away. Don't assume you "know the ropes". Guidelines are there for a reason.

Note: "guidelines" is something of a misnomer. Whether you're querying agents, publishers, journals, or blogs, "guidelines" usually means "ironclad rules".

7) Check out other guest posts. If you're a beginning freelance writer, you probably won't land a spot on a blog where bestselling authors and movie stars go to promote their books. You also won't benefit from guesting if the blogger has been lazy and accepts a lot of mediocre content.

Here our guests have mostly been seasoned authors, award winners, or experts in their fields (and yes, we've hosted a movie star). They also need to be good general-interest writers who don't use too much jargon, because tech-speak reads like Klingon to a lot of our readers (it sure does to me). A humorous approach is a big plus.

But you don't have to be a movie star or a bestseller to guest for us. You do need to be experienced in writing solid Web content and have something unique to say.

Here are some examples of guests who hit it out of the park for us:


Individualize your pitch to each specific blog. We don't post personal stories, but lots of blogs do. Bloggers are usually happy to get success (or failure) stories, interesting anecdotes about researching your book, posts based on your book research or funny stories about the writing life. A lot of blogs like interviews, too.

8) Don't spam. Offer new, useful, informative content and make sure you're not writing a thinly disguised advertisement for your own book or services. This is important. I see way too many guest posts that are just ad copy.

9)  Write a professional query via email. Write it like any other query. Open with a mention of why you're querying this particular blogger. Then pitch your project. Follow up with your credentials and links to your "clips" on your own blog or guest posts.

Note: as I said above, DON'T request a guest spot via comment thread, tweet or direct message. When I wrote about guest blogging two years ago, somebody actually pasted a query into the comments, showing they hadn't read a word of the post.

...so for those people, here's a bonus tip:

10) Read the blog. Seriously.
~

Guest blogging is one of the best ways to build your platform—and it's free advertising for your books. But remember you're asking for a favor. For more tips for guest bloggers see part 6 of my "How to Blog" series.

If you're a new writer without a presence in the blogosphere, it may be worth your while to launch your book with a professional blog tour, which will involve guest blogging as well as interviews and reviews. It will cost you some money, but doesn't have to be hugely expensive.

This week indie advocate Kristine Kathryn Rusch has an in-depth piece on her own experiences with guest blogging. (But you might want to turn off your speakers first. She has a strange audio ad for air freshener that kind of freaked me out.)

For a list of some vetted blog tour companies with price comparisons, see Greg Strandberg's post on Joel Friedlander's blog of February 5th. Greg's own blog is BigSkyWords.

What about you scriveners? Do you host guests on your blog? Have you been a guest? Have you had good experiences? What tips would you give new guest bloggers?

We LOVE comments. If you have trouble commenting because Blogger elves won't accept your ID (They prefer GooglePlus IDs, because they're owned by Google, alas) just email me through the "contact us" page and I'll personally post your comment.

This week I'm taking my own advice and doing some guest blogging myself. On 2/17, I'll be at Romance University talking about how authors can stay safe online, and on 2/19, I'll be visiting the Insecure Writers Support Group, with an author's guide on how not to spam.

Also: There's still time to vote. Our blog has been nominated by Indies Unlimited for "Best Resource for Indies"—one of just 7 blogs—along with Kristen Lamb, Joel Friedlander "The Book Designer", The Passive Voice, The Creative Penn, David Gaughran's "Let's Get Digital", and The Indie View. Anybody can vote over at Indies Unlimited. Voting closes on February 21st at 5 PM Pacific time.

BOOK DEAL OF THE WEEK


The Camilla Randall Mysteries

9 Months on Amazon's Humor Bestseller list!

Although the normal price is $4.99, this boxed set is only .99 on Amazon right now—for reasons known only to the Mighty Zon. 

Well, that didn't last long. It's back up to $4.99 at Amazon. But hey it's still an amazing deal: three funny mysteries for the price of a Venti Caramel Latte.

So if you've been thinking of taking a look at my loopy, but oh-so-polite sleuth's misadventures, grab this set while it's cheap. I have no idea if the price is down on international sites, because they don't let us see the pricing, but here are the links so you can check it out.


also available on NOOK and may or may not be on Kobo, which my publisher describes as "an enigma wrapped up in a mystery and sealed with superglue."





"The Best Revenge, Ghost Writers in the Sky and Sherwood Limited are hysterical. Anne Allen will keep you laughing throughout, but in the meantime she dabbles her fingers in some topics worth some serious thought: sexism, weightism, lechery, murder, duplicity, homelessness & poverty to name a few. If you love to laugh, you'll like these three books. If you love to think, ponder AND laugh, be ready to fall in love"... C.S. Perryess aka the Wordmonger



OPPORTUNITY ALERTS

Writers' Village International Short Fiction AwardEntry fee £15. This is a biggie. Stories in English up to 3000 words in any genre from anywhere in the world. £3000 First Prize. Judges include iconic mystery author Lawrence Block and Whitbread & Orange short-lister Jill Dawson. £4500 ($7200) in total prizes. The top 50 contestants also get a free critique of their stories. Deadline June 30th.

The 11th Yeovil International Literary Prize now open for entries  Prize categories for novels, short fiction, poetry. Entry fee £11 for novels. 1st prize £1000. Deadline May 31st.

GLIMMER TRAIN FAMILY MATTERS CONTEST $1500 prize, plus publication in Glimmer Train Stories, plus 20 copies. $15 ENTRY FEE. They're looking for stories about families of all configurations. It's fine to draw on real experiences, but the work must read like fiction. Maximum word count: 12,000. Any shorter lengths are welcome. Deadline March 31.

Women Writers:  MSLEXIA SHORT STORY COMPETITION  £10 ENTRY FEE. A competition for unpublished short stories of up to 2,200 words. First prize £2,000 plus two optional extras: a week’s writing retreat at Chawton House Library outside of London, and a day with a Virago editor. Second prize: £500. Third prize: £250. Three other finalists each receive £100.  All winning stories will be published in the Jun/Jul/Aug 2014 edition of Mslexia. Deadline March 17

The Jerwood Fiction Uncovered Prize: now open to UK self-publishers as well as traditional publishers. Fiction Uncovered seeks to promote emerging and deserving British fiction writers of outstanding work, looking beyond the debuts and the bestsellers. Debut works of fiction are not eligible. Be sure to follow the guidelines on the Fiction Uncovered siteDeadline has been extended to March 3rd.

Women on Writing Winter 2014 Flash Fiction Contest.  $10 ENTRY FEE. Judged by literary agent Stephany Evans. WORD COUNT: Maximum: 750, Minimum: 250 The title is not counted in your word count. Any style or genre. Deadline February 28.

Dark Continents Publishing's Guns and Romances anthology. They're looking for previously unpublished short fiction from 3500-9000 words. Any genre as long as there's a tough protagonist, weapons, and... at least one reference to music. Sounds interesting. Payment rate is a one-off of $20 per story plus a percentage of the ebook royalties. Publication estimated in late-2014. More info on the website. Deadline February 28.

Bad Reviews—Six Reasons to Be Glad You Have Them


"What? Glad?" sez you. "There is nothing that makes a writer sadder than a bad review!"

That's true. They can feel like a sudden, nasty downpour on the biggest parade of your life.

Whether you self-pubbed or worked with a traditional publisher, the publication of your first book is a moment of personal triumph. You want to shout it from the rooftops: “HEY WORLD, LOOK WHAT I DID! I AM AN EFFING AUTHOR, PEOPLE!!”

And your book starts to climb up the charts. Wow. People are buying it. People you aren’t even related to!

Reviews start coming in. People like you. They really like you!!

But then…somebody doesn’t.

There it is, your first bad review, sitting there on Amazon or B&N or Goodreads, with its puny single star.

You feel like your head is going to explode. You’re not sure what will come out when it does--curses or tears--but it will probably be both. You want to fire off a response, saying what a moron the reviewer is because—well, first off—it’s not a zombie book. That’s why there are no effing zombies, OK??!! Don’t give me two stars because there are no zombies in my heartfelt story of a woman’s journey healing from her addiction to Hugh Grant movies, OK? And you say it’s too short? Almost like a novella? That’s because it IS a novella, you cretinous worm from Hell. It says so RIGHT THERE in the product information.

But of course you don’t write that down. That would be professional suicide. You know that.

You step away from the keyboard. You call your BFF/Sig. Other. You reach in the cupboard for your chocolate stash and eat a whole Lindor truffle bar while your BFF/Sig. Other is reciting platitudes about how you can’t please all the people all of the time and this too shall pass. 

You hang up and get in the car. It’s Haagen Dazs time. And yes, you go to the store and rent “Notting Hill” one more time.

OK, it’s good to mourn. You need to get that stuff out of your system. If you live near a place where it’s safe to throw things, go do that. I find throwing rocks at the ocean surprisingly satisfying.

But you do have to face that computer sometime, and when you do, it’s still there, those three nasty sentences that stink up your whole Amazon page like somebody’s poodle took a dump on your life-is-a-banquet buffet table.

Your career is over. It’s ruined. Nobody will ever buy your book again!!

Not true.

Quite the contrary, in fact. Bad reviews can actually be good for sales.

How?

1) They show you’ve joined the big leagues. 

All popular writers get bad reviews. Just go to any bestseller’s buy page.

Harry Potter and the Sorcerer’s Stone “nothing more than a shallow tale about a misfit who makes good.”

The Hunger Games  “semi-familiar plot, predictable ending, eh not worth my time.”

The DaVinci Code “Highs: the French sentences are correctly spelled. Lows: everything else.”

Freedom “I started to dog-ear pages on which cringeworthy prose appeared, and I did damage to 90 percent of the book.” 

Or even better, the classics.

Gone with the Wind “I use to feel bad about Sherman burning Atlanta, but that was before I read this book." 

Pride and Prejudice “This is without question the worst book I've ever read in my entire life. The style is clumsy though the author strives to impress with an aristocratic pompousness so typical of social climbers of her day.”

The Great Gatsby “this book is twilight without the vampires, which by the way is an equally horrendous affront to intelligent readers…I don't need a book about stupid rich people.”

Great Expectations “a shapeless mess of a story…presented in the most abrasive fashion possible.”

(I especially love the irony of that uber-clumsy sentence about Jane Austen, don’t you? I think there is a good deal of what shrinks call "projection" in negative reviews. Some wannabe writers seem to see their own faults in everybody else's prose.)

2) They prove your reviews are genuine. 

It’s no secret that some authors game the system by trading reviews or even buying them from unscrupulous review mills. Or they pressure everybody in their church Ladies’ Auxiliary to write versions of the same exclamation-laden rave.

BTW, I hear Amazon elves are making a sweep and removing lots of suspect reviews. Unfortunately, some legitimate reviews have been removed too. Be careful you follow Amazon’s guidelines to the letter. NOTE: don’t repeat a phrase from another review or the product description or you can get flagged as a phony reviewer even when you’re not.

The truth is most successful books do not have a full five-star rating. When readers see a page with nothing but five stars these days, they tend to feel skeptical.

3) They demonstrate what your book ISN’T

Knowing what your book is NOT can be as useful to a reader as showing what it is.  Sometimes a negative review comes from a person who got the wrong idea of your genre or subgenre. So the review will steer readers from buying the wrong book and generating more irate reviews. (One bad review hurts our feelings, but a whole bunch can seriously hurt sales.)

I had one reviewer call my rom-com thriller Food of Love “rubbish”, because, she said, “I read lots of lesbian romance and this was the worst I ever read.”

Well…yeah it probably was. That’s because it’s not a romance. And it’s not about lesbians.

All my work has strong, sympathetic GLBT characters, but anybody looking for hot girl-on-girl action is going to be seriously disappointed. So thank you, “rubbish” reviewer, for setting people straight (no pun intended.) Whoever told her FoL was a lesbian romance was misinformed—so I’m happy she’s cleared that up.

Another author I know got a one-star for her historical mystery because somebody ordered it thinking it was how-two book about medieval embroidery. OK, the one-star is a pain, but better than a whole bunch of one-stars from dozens of irate embroiderers.

4) They help you target your demographic. 

A review that tells readers what group doesn’t like your book can actually encourage the right readers to buy.

I read a complaint from an author who said she got two stars from a reviewer “because the characters engage in pre-marital sex”. 

Oooooh. There’s sex in it?  So you’ve been identified as a writer who does not write for evangelical Christians who wear promise rings.

That shows you DO write for readers who like a little steam in their lattes. In a world where 50 Shades of Gray is the number one bestseller, that hurts you how?

I had a similar experience with a reviewer who said my mystery Ghostwriters in the Sky was “too complicated.” He said he “couldn’t tell who the bad guys were until the last page.”

Thank you! That tells readers who like a complex, unpredictable mystery they’re in the right place.

5) They rally the troops.

If an author is unfairly reviewed or attacked by trolls, the fans will be outraged, too. It might even get them to write that review they’ve been meaning to write forever. (If you need more encouragement to review your favorite authors, read my post on Amazon reviews here.)

I haven’t had a lot of time to read (or write reviews) during this marathon year, but one book I loved was Juliet, Naked by Nick Hornby. When I put it on my Goodreads page, I noticed a lot of clueless one-star reviews, obviously from people who didn’t realize it was about a minimally-produced record album like the Beatles’ famous “Let it Be…Naked”—and NOT about a lady with no clothes on. I made the time to write a review I probably would never have written otherwise. I hope I steered some of the right readers to the book.

Or there was the time I went to check out a new book mentioned in a Tweet and saw it had ten reviews already: all one-star—all attacking the author personally, saying nothing about the book.

It was an obvious example of cyberbullying. (For more on dealing with bullying in the trollosphere, Kristin Lamb has a fantastic post this week.)

Do you think I bought the book and, after enjoying it, gave it a good review? You betcha! (I also hit the "report abuse" button.) Plus I tweeted it to my followers and wrote an encouraging message to the author. Most humans are moved when we see a fellow human being persecuted.

6) They tell you what readers want 

Elizabeth S. Craig has blogged about how she learns from her negative reviews, and she displays a healthy, professional attitude we all should learn to emulate. You can learn a lot from your readers, who will let you know if they were angry when you killed off Aunt Millie, or didn’t like it when your romantic interest turned into Snidely Whiplash in your last book.

And believe me, if you have any typos, or your work needs editing, they’ll let you know about that, too.

On the other hand—make sure you’re reacting to a majority opinion and not just a handful of people in a bad mood. You don’t want reviewers to change your voice or artistic vision any more than you want your critique group to do that. 


In spite of all this, I do realize some reviews can be spiteful and useless.

Some of those may have been purchased. There are services that offer to leave bad reviews to bump authors ahead of you off the Amazon bestseller lists. (I’ve personally seen review mill sites, but they move around, so I don’t have a link right now.) On the plus side, their mostly illiterate “reviews” get taken down quickly. Amazon is on to them and will remove the review if you report abuse.  

Then there is the segment of the population who invent reasons to criticize and find fault with everything because they get off on it—especially if they can work themselves up into a self-righteous rage to justify their cruelty. Rage can produce a high very like cocaine. (See my post on Trolls, Sockpuppets and Cyberbullies.)

Unfortunately the anonymity of the Internet is where they thrive.

I’ve observed that freebie books tend to get the most troll attacks. That’s partly because people devalue things they don’t pay for, partly because they’ll download free books in genres they don’t usually read, and also because a lot of people simply hate self-publishing (change is scary).

Some people assume all freebie books are self-published—they’re not, but nobody is accusing these people of being rocket scientists.

You can usually tell a troll attack from an honest review. Trolls make it pretty obvious they haven’t read the book and use generic phrases—usually including “riddled with typos” and “obviously in need of an editor” even when they’re reviewing Jane Austen. They often dump lots of identical one- and two-stars all over Amazon. 

This is why Amazon has that “report abuse” button. (But never use it for an honest negative review.)

Sometimes a reader can leave a negative review because of something that has nothing to do with the quality of your book. Maybe your protagonist has the same name as the guy who just dumped her, or her own novel just got rejected by an agent who sat on the full for 18 months, or his mom just told him he he’s got to move out of the basement, and at 42, he really ought to find full time employment since he’s been working on that novel for 13 years now...

They aren't "abuse" in the Amazon sense, but do remember those rants aren’t reviews of your book. They’re verbal temper tantrums--the result of somebody having a bad day—or a bad life. You just happened to be in the line of fire. Smart readers can usually tell when the review is about the reviewer's issues, not the book. 

And chocolate helps. Or throwing rocks at the ocean.  Or maybe even watching a Hugh Grant movie.

What about you, scriveners? Have you seen clueless reviews of your favorite authors? Have you started to get bad reviews yet? Do you have any advice on how to cope with them? 
***

I have a bit of sad news this week. My US publisher, Popcorn Press, has closed its doors. But they have been incredibly gracious about handing all the files to me so I can re-publish with MWiDP. Thanks, Les—you’re a meticulous editor and fantastic book designer. And Kate—your covers are fabulous! Popcorn started as a poetry press and may be reborn as a poetry-only publisher some time in the future.

FOOD OF LOVE is now live under the MWiDP imprint on Amazon US and Amazon UK as well as Barnes and Noble. THE BEST REVENGE should be up there by tomorrow. The one downside is that I’ve lost my Amazon rankings, so FOOD OF LOVE, which had been on the bestseller list for romcoms in the UK since December has lost its status. A few “likes” and tags would be helpful, if you have the time. 

And YES, MWiDP will be re-publishing the Popcorn books in paper, AND, my other three mysteries should all be available in paper in the next few months. Yay treeware!
***

And don't forget the Digital Age Authors Intensive on July 14th!

You can learn all about how to be a writer in the digital age from iconic author Catherine Ryan Hyde and author, screenwriter, and radio personality Dave Congalton, as well as tech wizards, marketing specialists...and me. So if you're going to be on the Central Coast of California next weekend, don't miss this. There are still a few places available. Go here to register. 

Thanks to all of you who bought HOW TO BE A WRITER IN THE E-AGE last week and pushed us up the writing guide bestseller list into the top 20--ahead of the new Kindle edition of Strunk and White! 


Also: my Camilla Randall mystery SHERWOOD, LTD. is featured on Kindle Romance Novels this week and I'll be at RomanceUniversity.org on Friday the 13th!

I did it: I’ve Published Five Novels in Three Months! Here is #5


It’s another rom-com mystery, this time set in the 1980s—a prequel to GHOSTWRITERS IN THE SKY and SHERWOOD, LTD (an ebook now, with the paper version to follow in about a month.)


Buy The Best Revenge for Kindle at Amazon.com
Long before the events of GHOSTWRITERS and SHERWOOD, in 1980s New York, a time of big hair, coke-fueled society parties, and the rise of the greed-is-good 1%, teen heiress Camilla Randall befriends Plantagenet Smith, a penniless young gay playwright. But they quarrel and he disappears in the direction of California.

Soon after, Camilla is assaulted by her mother’s fiancé, smeared in the newspapers by a sexy muckraking journalist, and her family loses all their money in the Savings and Loan scandal. With nothing left but her DeLorean and a suitcase full of designer clothes, Camilla sets off in search of Plantagenet, her only real friend.

But when she arrives in the Golden State, she discovers Plant has developed strange heterosexual tendencies and an inconvenient girlfriend. Camilla is forced to move in with some wild-partying college friends, and when a famously debauched TV star comes on to her and then ends up dead, Camilla is arrested for his murder.

In order to clear her name and find the real killer, she turns to a friendly sanitation worker, a dotty octogenarian neighbor and the hot muckraking newspaperman who ridiculed her—who also happens to be her boss. 

And don't you just love this cover by Katheryn Smith? It's got that 1980s nostalgia feel, but matches the look of the other two Camilla books. Thanks bunches, Kate!