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Showing posts with label The Lady of the Lakewood Diner. Show all posts
Showing posts with label The Lady of the Lakewood Diner. Show all posts

How Book Launches Have Changed in the Digital Age

by Anne R. Allen



Most writers have been picturing it since we started scribbling ideas for our first novel. It's the light at the end of the tunnel, the goal that keeps us slogging along, the Holy Grail of our writing journey—

It's your BIG BOOK LAUNCH PARTY!!

We've watched the scene in so many films and TV shows we know it by heart: the newly minted author is feted at a gala event at some posh restaurant or upmarket bookstore (preferably in Manhattan, of course.) Readers line up around the block to buy a signed copy of the fabulous soon-to-be-bestseller.

Rich and famous literati raise glasses of champagne in the author's honor. The author basks in all that well-earned attention. And maybe gets to gloat when the ex-spouse shows up, looking unprosperous, with the illiterate new significant other in tow.

Screenwriter David Congalton did a great send-up of this writer fantasy in his film Authors Anonymous, staging the book launch of Dennis Farina's hapless vanity-published character in the crowded hardware store where his girlfriend works (and sweetly buys up all his books when nobody shows up.)

So when your book debuts, are you going to get one of those parties? (Not the one in the hardware store—the glittery one.) Should you be planning your perfect Carrie Bradshaw or Richard Castle outfit to prepare yourself for this all-important event?

Sorry. Probably not.

Unfortunately, the era of the splashy book launch is pretty much over. Even big-name authors are lucky if they get a congratulatory phone call from their agents on launch day.

And as for successful self-publishers, the day their book goes live on Amazon, they're probably at home in their sweats, pounding out the next novel.

Why?

This is the age of infinite online shelf space: a book no longer has to be launched like a rocket that explodes in a blaze of glory and soon falls to earth.

Before the age of the ebook, launches were all-important because print books are given only a few months on valuable book store shelves before they are sent back to the publisher to be remaindered and/or pulped. All print books are in stores "on consignment" and can be returned at any time for lack of sales. So with the old print/warehouse/bookstore paradigm, you have a very small window in which to get your book noticed. (Even smaller if you're not one of the lucky few who get "co-op" space at the front of the store purchased by your publisher.)

But ebooks are forever. An ebook is just as valuable five years down the road as it is the day you launch it. Retailers don't have to return it in order to make room for new merchandise.

Most Amazon bestsellers I know launched their first ebooks quietly (what's called a "soft launch"), then waited for buzz to build. Many bestselling indies didn't sell at all for the first few months—or even years.

These days, it's very unusual for newbie authors to see real sales with their first book.  Most authors don't see money coming in until they have at least three titles for sale.

So what's the best way to launch a book in this new publishing world?

Get to work on the next one.

Becoming a successful writer these days is a slow, ongoing process that begins when you start establishing your platform—usually long before you publish—and builds with each book.

Bu-but, sez you, what about book launches online? Can't I at least have an online launch party?

Yes. You can. The institution of the splashy launch is strong enough that the industry has found ways of marking the debut of a new title with online events. Some are effective, some not so much, but they all can have a cumulative effect.

But 99% of the effort will probably have to come from you.

Big publishers may send you on a blog tour, although you shouldn't expect any major festivities unless you're a politician with a Super-PAC, a Rolling Stone, or a regular on Duck Dynasty. A long-time bestselling author I know who's recently signed with an Amazon imprint was amazed to get flowers on launch day of her new title with the Zon. She'd never got a thing when she was with the Big Five.

Small presses usually make an announcement—with maybe a sale on their website—to spark interest in a new title. But don't expect much more.

Self-publishers sometimes turn to publicists and professional social media marketers for innovative ways to launch ebooks online. Some work and some don't, but most authors find the promotions they do themselves are as effective as the ones they pay big bucks for.

There's no "wrong" way to launch a book. Almost any of these methods will be effective, at least in a small way. The point of a launch is to get your name and your book cover/title in front of as many eyeballs as you can (without annoying the heck out of people.) Your method should be based on the strengths of your own personal platform, your promotion budget, and the time you have to devote to the launch. Go where your readers are, either online or in person.

Book Launch Pages and "Parties" on Facebook


Here's a great post from author Lynne Hinkey from the blog Where Writers Win on how to host a "virtual book party" on Facebook.

You don't have to be a tech-whiz to put one on. Just go to your FB page and click "events", then "create event". You'll get a pop-up screen and you just have to fill in the blanks.

There are even services that will do these for you, but they're easy enough to do on your own.

Some authors do an individual Facebook page for every book.

But note: they also sometimes add all their "friends" and followers to the group and everybody gets daily "only 13 days till launch" messages in their notification feeds for weeks.

You don't want to do this. It will lead to mass unfriending.

Ditto sending personal messages to random "friends" who aren't likely to read your genre. (My rule is never send a DM to somebody you haven't had at least one public online conversation with, and never, ever put your promo on somebody's FB wall.)

It's probably best to do a countdown to launch from your personal Facebook page, which will get many more views than your author page, due to Facebook's newly stingy ways. Or, if you do have a good, engaged readership for your author page, this might be the time to "boost" your post with a $30 ad. (Although the general buzz is that paying for Facebook "boosts" isn't cost-effective.)

Do these events boost book sales? Depends on who you ask. Some authors think they're a waste of time. Others have huge successes with Facebook parties. Especially if they're done with a group of other authors in the same genre. Generally, it seems to be Romance genres that do best with FB, but we'd love to hear from writers in other genres who have used them.

Hangouts on Google Plus


Google Plus hangouts can be more interactive than the FB pages, because they're more like a group Skype call. Some tech-savvy authors love them. Personally, I'm a cybermoron, and I have no camera on my computer (not by accident—I am not of an age where video is my friend.) So I don't do hangouts.

But don't let that stop you. Depending on your genre, these may work great for you.

For more on how to host author hangouts on Google Plus, Joel Friedlander at the Book Designer has a great step-by-step guide.

Do hangouts sell books? I haven't heard from anybody who's done it and had significant results. Any readers who have, please let us know! I know some people really love those hangouts.

Blog Tours


Blog tours used to be de rigeur a few years ago, when they were new. Some Big Five publishers provide them to launch new titles. There are also lots of independent blog tour companies out there.

A blog tour can cost from $20 to $1000, depending on the company and the number of blogs involved. Here's an excellent overview of a number of blog tour companies with info on what they charge from Greg Strandberg on Joel Friedlander's blog, and another from blogger Danielle Forrest with a handy spreadsheet.

Or if you're already in the blogosphere, you can plan your own. BookBaby offers a collection of links showing how you can set up your own book blog tour.

A blog tour involves visiting many blogs in your genre over a short time period. You provide guest posts, interviews (sometimes interviews with your lead character), plus free review and contest copies, then you visit each site to answer questions and get to know the blogger's audience.

They can be kind of exhausting, but compared to the old fashioned in-real-life book tour, they are a lazy day in the park.

On the other hand, a lot of authors have questioned how well they work, as in this piece by Lev Raphael in the HuffPo last year.

Cover Reveal Tours


Cover reveals are like a blog tour, but all you have to do when you "visit" is show a photo of your new cover. No iffy reviews, complicated contests, or cranking out 30 blogposts in two weeks.

It needs to be a brand new cover, not yet available for sale. The idea is to create buzz in anticipation of your launch.

Many review blogs will spotlight books with a cover reveal even though they're overbooked for reviews. (Most reviewers are these days. Reviewer burnout can be a big problem with the paid blog tours. The blog tour company gets paid, but the reviewer doesn't.)

Cover reveal tours seem to help create buzz. Do they lead to big sales? I'm not sure. I'd love to hear from somebody who's used them.

Give-aways and Contests on Your Own Blog


A fairly painless way to launch your new title is to announce it on your own blog. Offering free copies or a contest for free copies of the new book makes it more of an event.

The simplest way is to enter anybody who leaves a comment, assign each person a number, then go to Random.org to choose a winner or winners with their random number generator, which will also give you a time stamp to authenticate the win.

Do give-aways from your blog sell books? Not in a major way, in my experience. But they can be good for building your mailing list.

Amazon Freebies and Countdown Deals


You can choose to launch your book in KDP Select, which gives Amazon exclusive rights to sell your book for a period of 90 days.

If you do that, you can start with a "soft launch" and work on getting reviews. Then after a month or so, stage your big launch and make the book free or very cheap with Amazon's special countdown deals.

With a countdown, you can sell the book for as little as 99c, but still get a 70% royalty, instead of the 35% royalty you get if you normally price below $2.99 on the Zon. Countdowns are only available in the US and the UK, which is annoying for those of us with a lot of Canadian and Aussie readers, but it's still a great way to give your book a jumpstart.

And note: A $2.99 book (£1.43 GBP) is eligible for a countdown in the US, but it must be priced at £1.93 GBP to be eligible for a UK countdown, so my Lady of the Lakewood Diner countdown this week is only going to be available in the US, which is dumb. Sorry everybody.

If you have got enough reviews to qualify, then advertise your freebie or countdown in one of the book bargain newsletters.

With the big newsletters, you can often hit the jackpot. I know authors who have run a countdown and advertised on Bookbub and got into the top 100 on Amazon.

Those ads, especially on Bookbub, are pricey. But if you compare them to the price of a launch party with rental of the facility and a wine bill, you might look at them in a different light.

For more on the ebook newsletters—probably the most reliable way to make your book visible—here's Ruth Harris's post on the book bargain newsletters.

Multi-Author Online Events 


Sales and promotions done jointly with other authors can give your book a nice push out into the marketplace. These have the advantage of putting your book in front of the fans of all the participating authors. 

 These can be done with a temporary landing page that features a book from each of the members (you'll need a tech-savvy member to build it for you.) Or they can be done with a blog hop—every author visits each other's blogs—or with Facebook or Google Plus.

These can be very effective if the person in charge is good at organizing and has great tech skills.

But What if you Really, Really Want that IRL Book Party? 


You even have the outfit. You've been looking forward to it for decades. I can hear the whimpers out there:

"I want a book party in real life. With cake!"

Then give yourself one!

A book launch will never be cost-effective in terms of immediate book sales, but it's a great excuse for a party. If you've been holed up in your writing cave for a year, and you finally have that beautiful book in your hot little hands and you want to celebrate, DO IT!!

Some bookstores are equipped to host writer events and may even have a coordinator to assist you in setting things up.

These people are treasures, so be sure to show lots of gratitude and treat them like gold.

But some bookstores don't have the room or staff to put on book events. If they don't respond positively to your request, don't push them. I've worked in a lot of bookstores, so trust me on this. A signing in a small store can block the aisles and drive away regular customers and lose a lot of sales.

But you can also have the party at the local library or rent a public room at a restaurant or other banquet facility. You can even have it at your own home or get a friend with an entertainment-friendly house to host it for you.

The biggest sales benefit of an "In Real Life" launch is generating publicity, so be sure to send press releases to all the local papers and radio stations and publicize the event like mad. Even if not a lot of people come, they will have seen your name in the paper and heard it on the radio.

In my experience, a reading (especially with multiple readers) is a bigger draw than a simple signing.

Good food, coffee & tea and maybe some wine are a big plus, too. (One of our local bookstore owners makes some of the most decadent chocolate cookies you've ever tasted.)

Put out lots of advance publicity and round up all your friends by sending personal invitations. Here's more on how to put on a book event from small press editor Lynn Price. And here are some great tips on how to stage a successful reading from Judy Croome at Joel Friedlander's blog this week.

The most important part of a book launch party, no matter how you stage it, is to have fun. It's a way of marking a milestone for you and letting all your friends and fans know you've achieved your goal.

Then go write that next book.

What about you, Scriveners? Have you been planning your book launch party since forever? Have you had a book debut celebration, either virtual or In Real Life? Did you feel it was a success? Which events worked best for you? Do you have any tips for new authors planning a launch party? 


BOOK OF THE WEEK

Amazon Countdown Deal

Today, June 1st, my new comedy The Lady of the Lakewood Diner is only 99c on Amazon! It will slowly go back up over the course of the week and on Saturday June 7th it will be back at its regular price. So grab it while it's cheap for your summer beach reading. Unfortunately, Amazon only lets us make this deal is available at Amazon US.  (International deals and epub files will come soon.)



 Who shot rock diva Morgan Le Fay? Only her childhood friend Dodie, owner of a seedy small-town diner, can find the culprit before the would-be assassin comes back to finish the job.

Boomers, this one's for you. And for younger people if you want to know what your parents and grandparents were really up to in the days of Woodstock and that old fashioned rock and roll. Plus there's a little Grail mythology for the literary fiction fans.

"A page turning, easily readable, arrestingly honest novel which will keep you laughing at yourself."...Kathleen Keena

"I borrowed this book free with my Amazon Prime membership, but I enjoyed it so much that I don't want to give it up. I'm buying a copy to keep."...Linda A. Lange

"In The Lady of the Lakewood Diner, nothing is sacred, nothing is profane. And yet, in the end, love does conquer all. If you're of an age to remember Woodstock and the Moonwalk, don't miss it. If you're not, well, you won't find a better introduction." ...Deborah Eve of the Later Bloomer


Coming up on the blog


June 8th: Nina Badzin: social media expert and freelance writer: regular contributor to Brain, ChildKveller, and the HuffPo. Nina will talk about what to do if you realize you like blogging more than working on your novel.

June 22: Nathan Bransford: Yes. That Nathan Bransford (squee!) Blog god, former Curtis Brown agent, children's author, and author of How to Write a Novel.

July 20th: Janice Hardy: host of Fiction University and bestselling YA author. Repped by uber-agent Kristen Nelson.

August 10th Jami Gold: editor, writing teacher, award-winning paranormal romance author, and awesome blogger.

September 14th Barbara Silkstone: bestselling indie author and owner of the Second Act Cafe.


OPPORTUNITY ALERTS


Win $5000 for Fan Fiction! You read that right. This is a contest so innovative and different I couldn't resist posting it although you have to join Booktrack to find out all the details (membership is free, apparently). You to write a fan-fic story in the world of Hugh Howey's new book Halfway Home, add a soundtrack, post it on Wattpad, and you'll be eligible win the big cash prize, plus an edit by Mr. Howey himself. More info at Booktrack.com

BLUE EARTH REVIEW FLASH FICTION CONTEST  $2 ENTRY FEE. 750 words or less. Limit two stories per entry. First place $500. Second place $250. Third place $100. Winners will be published in the Blue Earth Review, the literary magazine of Minnesota State University. Deadline August 1.

The Saturday Evening Post "Celebrate America" Short fiction contest. $10 ENTRY FEE. The winning story will be published in the Jan/Feb 2015 edition of The Saturday Evening Post, and the author will receive a $500 payment. Five runners-up will each receive a $100 cash payment and will also have their stories published online. Stories must be between 1,500 and 5,000 words in. All stories must be previously unpublished (excluding personal websites and blogs). Deadline July 1.

The Golden Quill Awards: Entry fee $15. Two categories: Short fiction/memoir (1000 words) and Poetry (40 lines max) $750 1st prize, $400 2nd prize in each category. Sponsored by the SLO Nightwriters and the Central Coast Writers Conference. Deadline June 30th.

Drue Heinz Literature Prize for a collection of short fiction and/or novellas. Prize of $15,000 and publication by the University of Pittsburgh Press. Author must have been previously published in print journals. Deadline June 30.

WRITERS VILLAGE SUMMER SHORT FICTION CONTEST $24 ENTRY FEE. $4,800 First prize. Second prize $800, third prize $400 and 15 runner up prizes of $80. The top 50 contestants also get a free critique of their stories. Judges include Lawrence Block, a Grand Master of the Mystery Writers of America, and Jill Dawson, Orange and Whitbread-shortlisted author of eight novels. Winning stories showcased online. Any genre of fiction may be submitted up to 3,000 words, except playscripts and poetry. Entries are welcomed world-wide. Deadline June 30.


When my publisher asked me to remove the explicit sex scenes from my upcoming novel, The Lady of the Lakewood Diner I thought he was nuts. Sex sells, doesn't it?

Maybe not so much anymore.

That screeching sound you hear is the abrupt U-turn the publishing industry is taking away from erotic material.


A number of factors have contributed to the change:


1) Erotica Fatigue

After the breakout success of Fifty Shades of Grey, there was a surge in copycats, and the industry seems to be suffering from overload.

Agent Ginger Clark tweeted from the Frankfurt Book Fair that she was seeing a lot of "erotica fatigue" in traditional publishing.

2) The Global Marketplace

As we reported here last month, the marketplace for ebooks is now global, and as Smashwords' Mark Coker says, "Major retailers set their sights on a global market where the cultural, religious or political norms in some countries will find certain categories of erotica too objectionable."

3) Apple has No Erotica Category

More and more people read books on their iPads and iPhones, but Apple steers clear of anything that could be called porn. Perhaps with the global market in mind, the Apple store banned hard-core erotica over a year ago. The heavy-handed purge removed entire publisher accounts from the site because of a few offending titles. 

4) Amazon's "Erotica Ghetto"

Beginning last spring, Amazon, too, has sought to rein in the hard core stuff. It has created an "adult filter" that has been separating erotica from other books for suggestions and also-boughts. Authors find when they're put in this "erotica ghetto" it greatly reduces their sales.

5) No Sex, Please, We're British

In July of this year, the UK's Conservative government announced a "war on porn" that among other things, requires "family friendly" filters on computers and has made it illegal to possess material depicting rape.

6) The UK Tabloids' "Epidemic of Filth" Brouhaha

Worries about "An Epidemic of Filth" in the book industry escalated a couple of weeks ago, when UK tabloids brought up the problem of unvetted self-published porn, which can veer into illegal territory. The Daily Mail used it as an excuse for an anti-Amazon diatribe and the online magazine, The Kernel attacked even venerable UK retailers like W. H. Smith, Foyles and Waterstones. 

Retailers blame indies: 


Of course there's a lot of traditionally published erotica that gets into the wrong searches, too. But the tabloids chose some particularly vile examples of illegal porn that was self-published or put together by low-rent marketing companies, and people were disgusted.

Amazon simply removed the offending books immediately.

W. H. Smith, however, "solved" the problem by shutting down their entire website and not going back online until they had removed ALL self-published and small press books. Permanently.

Kobo, the mega-retailer that supplies W. H. Smith and many other bookstores worldwide, followed suit and removed all indie books from their UK site.  Kobo has since returned most of the books. They seem to have worked out an algorithm like the ones at Amazon and Smashwords to filter offending books. If your book hasn't been returned, you can contact them at writinglife@kobo.com

What this means for authors: 


Although the handful of books presented in the complaints were obviously offensive and illegal, the nuclear response sent a chill through the industry. You can read indie author Michelle Fox's take on the whole mess at the Indie Reader.

As Ms. Fox points out, aside from the question of censorship, the big problem is that algorithms are never 100% accurate. In fact, she reports some of the "offending books" mentioned in the Daily Mail article  weren't offensive at all.

She says Amazon's erotica filter sometimes labels a book cover as porn just because it has a face on it. It seems the algo measures pixels of skin tones, so a baby's face will show as large a percentage of skin as hard core porn and can be labeled as such. And I've also heard that Amazon's algo originally put Fifty Shades of Grey into "Christian fiction" because the protagonist's name is "Christian". That may be an urban legend, but anybody who's received Amazon's title suggestions knows they often get things comically wrong.

Amazon's algos are constantly being revised and updated. They may get more restrictive following the recent bad press. 

Smashwords' Mark Coker thinks they will.

Mr. Coker said this on his blog on October 15th: "Smashwords erotica authors can now assume that erotic fiction where the predominant theme, focus, title, cover image or book description is targeted at readers who seek erotic stories of incest, pseudo-incest or rape will find that their content is not welcome at the Kobo store. I've heard multiple reports that Amazon is cracking down on the same." 

Smashwords was one of the first retailers to deal with the erotica filtering problem, when PayPal refused to deal with them unless they censored hard-core erotica. Erotica was banned for several weeks in 2012 until Mark Coker installed a new filter and made a deal with PayPal, so they're now ahead of the game.

Now it seems the Smashwords filter developed for PayPal isn't restrictive enough for Kobo and Apple, so Coker is working on a "two tier" system for erotica.

He says: "Smashwords is considering adding new metadata fields for erotica authors so they can voluntarily tag their books as NSFAK (not safe for Apple/Kobo), but because these titles meet the Smashwords Terms of Service they are allowed at Smashwords and other Smashwords retailers. This will allow us to omit certain books from certain distribution channels while maintaining the flow to the Smashwords store and others."

There's no question that some filtering was needed. Parents were understandably freaked when their kids got suggestions to read wildly inappropriate books. And not every adult is into kink. The "romance" category is a huge umbrella these days, and cover images can be pretty shocking to people who aren't used to looking at contemporary erotica.

But because the filtering is done by robots, a lot of mistakes happen. And the algos are secret, so nobody knows what words and images will tag your book as porn.

If you write erotica and want to know what might trigger the algos, there's a breakdown here at Smutwriters.

But what if you don't write erotica? It's bad enough for an erotic book to be shifted off to an "adult" section, but if your novel only has a few sex scenes, erotica buyers will think it's totally lame, but nobody else will see it.

This means that being flagged for adult content could kill your book dead.

That's why publishers like mine figure it's better to be safe than sorry. If you can tell your story without explicit language and descriptions of body parts, you might consider leaving them out, since those are most likely to trigger the algos.

I've deleted "f" bombs as well as explicit scenes from my new novel. It was too long anyway, and I don't think the story loses anything.

But does this herald a return to the Puritanism that banned books like Lady Chatterley's Lover and Lolita? Are we going to return to something like the Hays Code and let algorithms become the new Catholic Legion of Decency?

I don't think so.  

Michael Tamblyn at Kobo wrote in the Writing Life on October 25, "Many of our readers have no problem with an erotic title in their library next to their romance, literary fiction, investing or high-energy physics books. And we are here for the readers, so erotica stays, a small but interesting part of a multi-million-title catalogue, in all of its grey-shaded glory."

But, he cautions, "…if your dream is to publish "barely legal" erotica or exploitative rape fantasies, distribution is probably going to be a struggle for you. We aren’t saying you can’t write them. But we don’t feel compelled to sell them."

If you need another reason to avoid explicit sex scenes, consider this quote from Julian Barnes, "Writing about sex contains an additional anxiety on top of all the usual ones: that the writer might be giving him or herself away, that readers may conclude, when you describe a sexual act, that it must already have happened to you in pretty much the manner described."

For more quotes from famous writers on the subject, check out the great post from Roland Yeomans called "Sex, Must We?" at Writing in the Crosshairs.

And good sex scenes are awfully tough to write well. If you don't get it right, you could be shamed by the "annual bad sex award" from the UK's Literary Review. Here's a link to this year's nominees. They're pretty bad.

With so much explicit "mommy porn" available to peruse discretely on our e-readers, maybe the time has come when we no longer need to sprinkle our mainstream books with those titillating scenes that became de rigueur in the heyday of "steamy" novels by authors like Jacqueline Susann and Harold Robbins. (As Spock called them in Star Trek IV..."the giants.")

At the moment, I think writers need to treat sex scenes like adverbs. We should always ask ourselves, "is this necessary to the story?"

What about you, scriveners? Have you been affected by the recent erotica purge? Do you think sex scenes are necessary in mainstream novels, or would you prefer that authors leave things to the imagination? And do you remember that scene in Star Trek IV? 

Coming up: Next week we'll  have a great guest post by Melodie Campbell, Executive Director of Crime Writers of Canada. She teaches writing as well as being a bestselling author of comic fiction. She's going to give us a hilarious lesson in humor writing.

A note to my Canadian readers: My boxed set of Camilla comic mysteries has been selling briskly in Canada (and had reached #2 in women's fiction) until I got a sock puppet one-star review on the Amazon CA buy page this week. This now registers it as a one-star book, in spite of 50 good reviews in the US, so Canadian sales have screeched to a halt. If any Canadian reader who enjoys comedy would like to give it a fair review, contact me for a free review copy at annerallen dot allen at gmail dot com.


BOOK OF THE WEEK

Okay, Halloween is over, but it's a nice spooky cover for this time of year
only $2.99 at Amazon US, Amazon CA, Amazon UKNOOKKobo, and iTunes


Set at a Writers' Conference in Central California, Ghost Writers in the Sky is #2 in the Camilla Randall series of comedy-mysteries, but it can be read as a stand-alone. 

"Ghost Writers is set in a writers' conference in Santa Ynez Valley, where I've lived for twenty years....This book is hysterically funny AND accurately depicts the Valley. Anne Allen gets it right, down to the dollar bills stuck on the ceiling of the Maverick Saloon. It was so fun to read as she called out one Valley landmark after another. Allen got the local denizens right, too, the crazy characters that roam our streets...I love Camilla Randall, her ditzy, former debutante heroine, and all the rest. The action gets pretty frenetic when dead bodies start showing up. I heartily recommend this book. I can hardly wait to read the rest of the series"...Sandy Nathan

OPPORTUNITY ALERTS

Tin House Shirley Jackson Story Contest. This is a fun one. The prestigious litmag Tin House has acquired an unfinished Shirley Jackson story. They invite readers to finish it. Submissions should be 2,500 words or fewer (not including Jackson’s prose). Entries should be sent, with the text of the story in the body of the e-mail to shirleyjacksoncontest@tinhouse.com. Winners will be published on the Tin House website and be awarded some Tin House swag and the collected works of Ms. Jackson. Deadline November 17th.

J.F. POWER PRIZE FOR SHORT FICTION NO ENTRY FEE. The winner will receive $500. The winning story will be announced in February, 2014 and published in Dappled Things, along with nine honorable mentions. The word limit is 8,000 words. Deadline is November 29, 2013.

The Lascaux Prize for Short Fiction: Stories may be previously published or unpublished. Length up to 10,000 words. Entry fee is $5, and authors may enter more than once.The editors will select a winner and nineteen additional finalists. The winner will receive $500 and publication in The Lascaux Review. Both winner and finalists will earn the privilege of displaying a virtual medallion on blogs and websites. Deadline December 31, 2013.

Boomers: The Huffington Post's Huffpo50 is publishing short fiction! The rules: You must be 50 or older to enter. Writers can submit only one story per year, and all pieces must be 5,000 words or less. Send your original submissions, as well as your contact details, to 50fiction@huffingtonpost.com

CRAZYHORSE PRIZES IN FICTION, NONFICTION, POETRY $20 fee (includes subscription). This is a biggie, well worth the fee. This venerable literary magazine has published the likes of John Updike, Raymond Carver and Billy Collins. Winners in each category receive $2,000 and publication. Submit up to 25 pages of prose or three poems. All entries considered for publication. Submissions accepted in the month of January 2014 only.


I know. Rejections hurt.

But they're also a necessary part of your career as an author. So when you get your first one, give yourself time to feel the pain, then do something to celebrate. Maybe even print it out and frame it.

Yup. You read that right. Congratulations!

You now have the one thing that all professional writers have in common. Every single professional writer gets a boatload of rejections.

But you know what's worse than rejections?

No rejections.

The rejection system is part of your education in the publishing industry. Getting your work accepted before you've had time to learn about the business can backfire. Big time. You can get scammed or talked into signing a bad contract, or you can bumble into a comedy of errors the way I did.

The first agent I queried accepted me as a client. Great, right?

Not so much.

I'd sent out my query to one of the top agencies in L.A., got a request for a full manuscript, and a week later I heard from her assistant—a man about to become an agent in his own right—who was in love with my manuscript.  In a delightful British accent, he pronounced my story "hilarious" and said he'd "show it around to a few people."

So—since I'd heard you should  never phone an agent—I sat around and waited. And waited. Six months. Nothing. No contract. No word of anything. Finally I sent off a letter (no email in those days) asking if anything was happening. No word. So I waited some more. A month later, I finally phoned the agency.

Seems "my agent" had left the business a couple of weeks after we'd talked and gone back to England.

Thunk.

So I queried another agent. (No, I hadn't thought to keep querying during that eight months. I was naive enough to think that phone call meant what I had was a done deal.)

So did I finally get a rejection? Nope—acceptance, but again, no contract. My book went out to a dozen editors over six months, with no takers—so the agent dropped me.

Double thunk.

But I soldiered on. I bought Jeff Herman's Guide to Literary Agents and sent well-researched, targeted queries to dozens of agents. I was sure if I got two agents right off the bat, I could get my pick of others.

Ha! That's when I got the rejections. Hundreds of them. And they hurt worse because I'd set myself up to think I'd be easily accepted.

I'd search every one for clues to what was "wrong" with the book and go into a frenzy of rewriting.

  • When an agent said, "I just can't connect with these characters," I'd make every character a little more bland.
  • When an agent said "this plot is confusing," I'd eliminate the subplots. 
  • When an agent said "humorous fiction is a hard sell," I'd remove the jokes. 
  • When an agent said she was no longer taking adult fiction; she only wanted YA, I'd try to rewrite the story as YA.
So after years of rejections and rewrites, did I have a gorgeous, perfect book every agent would love?

No. I had an unreadable mess.

I wrote other books and went through the submission process with a few more agents and finally got my big break with a small UK publisher.

But that poor, much-rejected, over-edited book sat in a drawer, unloved.

I figured it was that practice novel that would never see print, even though my beta readers kept asking why I hadn't published it because it was their favorite.

Then about a year ago an old friend who had been cleaning out his garage came by with the manuscript of that abandoned book. He had one of the earliest versions, in printout and on a CD.

I looked over that old, unedited version and realized it was a pretty good story. It needed a polish, but it was 100% better than the Frankenbook I'd created while editing it to death—trying to please all the people all the time.

Recently I sent that ancient ms. to my publisher.

He loved it.

He wants a ton of edits, of course, and a new title.

The title we've decided on is The Lady of the Lakewood Diner. It will be #3 in my Boomer trilogy together with Food of Love and The Gatsby Game.

It's a fun, breezy romp through the last six decades, as a sixty-something small-town grandma tries to figure out who's trying to kill her childhood best friend—an aging rock star who calls herself Morgan le Fay. Think Beaches meets Mama Mia! at the Whistle Stop Cafe.

While I get to work on the edits, my friend and mentor, the phenomenal Catherine Ryan Hyde will tell you why you should never, ever do what I did.

Catherine is not only the author of the iconic novel that gave us the phrase Pay it Forward  but her three newest titles Walk Me Home, When I Found You, and Where We Belong rocketed her to the top of Amazon's bestseller list this summer.

She even knocked J.K.Rowling off her perch as the #1 top selling author on Amazon.

And now you're going to see why Catherine's career has been so successful: she never doubts her muse.
                                                                                                                                                        ...Anne

The Year of My 122 Rejections
by #1 Bestselling Author 
Catherine Ryan Hyde


Between the time I wrote my first novel (my critique group didn’t much like it) and the time I wrote my third novel (ditto) I was unable to interest an agent in my work. Sound like anybody you know?

I sent out about 25 queries with synopses and sample materials, just like they asked me to do. And I waited. And not one single one of those agents wanted to know anything more about me or my novels. They either were not accepting new clients (or claimed they were not), or were “unable to give my work the enthusiasm it so obviously deserved.”

Right, I know. It’s incomprehensible. It’s not just you.

In an effort to batter down that brick wall, I decided I would market my own short fiction. Much easier. Right?

Over the next year or so, I received 122 rejections on about a dozen short stories. And no acceptances.

How did I keep going? A little bit of mentorship. A couple of authors in my critique group were much better published, and they said things like, “This happens to all authors,” and, “It’s right around the corner for you.”

Finally…finally, finally (did I mention that it was after a bit of a wait?) I received my first short story acceptance.

Five days later I received my second.

Nine days after that I received my third.

So, a year of nothing but rejection. Followed by three story acceptances in the span of two weeks. What does this say about the pattern of acceptance and rejection? So far as I know, nothing. There’s not much to be said, because there really is no pattern. A lot of it is just the luck of the draw. Getting the right story to the right editor on the right day.

Here’s the most important thing I want to tell you about my short story rejections: every one of those stories went on to find a home. And I did not rewrite them based on what each editor said.

It’s a good thing I didn’t, too.

That first acceptance was from a magazine called South Dakota Review, for my short story Earthquake Weather. South Dakota Review was a pretty darned good magazine for my first time out. Based in a reputable university, they’d been publishing stories for over 20 years.


Just before I sent Earthquake Weather to South Dakota Review, I got it back rejected from a magazine of much smaller reputation. It was called the Belletrist Review, may it rest in peace. They said they liked the story as a whole but felt there was a “hollowness” to the characters.

The editor at South Dakota Review was one of a very few who was nice enough to write an actual acceptance letter, telling me why he chose the story. He said I showed poise in the way I depicted the characters with brief brush strokes.

Hear what just happened?
  • The characters have a hollowness. 
  • The characters are depicted with brief brush strokes.
One editor took it for the same reason the other editor rejected it.

Now picture me getting it back from Belletrist Review and revising it. After all, I don’t want the characters to be hollow. Then I send it to South Dakota Review, and the editor shakes his head. Because I’ve shown no poise in the way I depict the characters. Because I used far too many brush strokes.

Yes, I do mean to say you should not revise based on rejection. 


If you had a first date with someone who didn’t fall madly in love with you, would you just keep changing yourself until they did? And, as a follow-up question, do you think they ever would?

You should fix a story if you agree that it’s broken, but for no other reason.

In the meantime, just keep looking for someone who loves it for what it is.

Even if you have to weather 122 editors who don’t.



Book Deal of the Week

Catherine's #1 Bestseller is only $3.99 right now on Amazon. Digital list price reg. $9.99



Since their mother’s sudden death, sixteen-year-old Carly and her eleven-year-old sister, Jen, have been walking and hitchhiking across the Southwest trying to find Teddy, the closest thing they have to a family. Carly desperately hopes Teddy will take them in and save them from going into foster care—and forgive them for the lies told by their mother.


But when the starving girls get caught stealing food on a Native American reservation, their journey gets put on hold. While the girls work off their debt, Carly becomes determined to travel onward—until Jen confesses a terrible secret that leaves both sisters wondering if they can ever trust again. 

Set against the backdrop of the American Southwest, Walk Me Home and its resilient heroines will inspire readers and renew their faith in recovery and redemption.

What about you, scriveners? Do you have any questions for Catherine about rejections? She'll be here Sunday September 8th  to answer them. Have you ever rewritten a piece after a rejection? 

Next week: Blog Ninja and Sci-Fi author Alex J. Cavanaugh will tell us about blog community and forming his Insecure Writers Support Group.

Opportunity Alerts

REAL SIMPLE'S 6th annual Life Lessons Essay Contest NO ENTRY FEE. A prize of $3,000 and publication in Real Simple magazine is given annually for an essay on a theme by a U.S. writer. 2nd place is $750 and 3rd place gets $500 are also given. This year's theme is, "What's the bravest thing you've ever done?" Submit an essay of up to 1,500 words. Visit the website for complete guidelines. Deadline September 19th.

Mary Wollstonecraft Shelley Award for Imaginative Fiction Entry fee $10. A prize of $1,000 and publication in Rosebud Magazine. Submit a previously unpublished story of up to 4,500 words. Deadline September 15th 

 The Harper's Bazaar UK Short Story Prize is open to all writers. NO ENTRY FEE. Are you the next Dorothy Parker or Anita Loos? Submit an original short story (up to 3,000 words) on the subject of 'spring' to:shortstory@harpersbazaar.co.uk. The winning entry will appear in the May 2014 issue. Its author will be able to choose a first-edition book from Asprey's Fine and Rare Books Department to the value of £3,000 and enjoy a week-long retreat at Eilean Shona House, on the 2,000-acre private island off the west coast of Scotland where JM Barrie wrote his screenplay for Peter Pan. Deadline December 13th.

BARTLEBY SNOPES WRITING CONTEST - Can you write a story that's in dialog only? $10 ENTRY FEE A minimum of $300 will be awarded, with at least $250 going to first place and at least $10 to four honorable mentions. 5 finalists will also appear in Issue 11 of the magazine due out in January 2014. Last year they awarded $585 in prize money. For every entry over 25, an additional $5 will be awarded to the first place story. Compose a short story entirely of dialogue. You may use as many characters as you want. Your entry must be under 2,000 words. Your entry does not have to follow standard rules for writing dialogue. Your entry cannot use any narration (this includes tag lines such as he said, she said, etc.) Deadline September 15th

The Rumpus has launched the Weekly Rumpus and is calling for submissions. They are interested in "sharp, fresh, original work that grapples with life as it is really lived and felt in the world today. We want writing that walks on a wire, questions conventions, conveys a vision." 1000-6000 words. Here's their submissions page.