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From Pathetic to Professional: 8 Ways to Beat the First Draft Blues

Posted by Unknown On Sunday, February 23, 2014 0 comments

by Ruth Harris

You’re happy, even delirious. You’ve finished your first draft!

Then you read it.

OMG, you think, did I write that?

Yes, you did. :-)

It stinks. It sucks. It’s so rancid it threatens to warp the time-space continuum.

Think you’re alone? Here’s Hugh Howey in a blog post: “I suck at writing. Watching a rough draft emerge from my fingertips in realtime would induce nausea.”

So remember, it’s not just you.

The first draft is just that—a first step.

As a long-time editor and author, I’ve found 8 strategies that can help you shape, refine and improve your draft. (Actually it’s called editing and, yes, you can do quite a bit of it yourself.)

1. Embrace the power of the delete button.

Elmore Leonard advised taking out all the unnecessary words. Cutting almost always makes a book better, more readable, more exciting.

Specifically, that means delete all the spongy, weasely, namby-pamby words—the ones that aren’t crisp and precise, the ones that drag out a scene or a description without adding anything except length.

Get rid of the windy digressions, the pointless descriptions, the info dumps, the meandering philosophical musings.

Duplicate your document before you begin in case you get too enthusiastic but, with a safe back-up on hand, go ahead and hack away. Take out everything that doesn’t advance your story or define your characters. See if the resulting clarity doesn’t vastly improve the pace of your book.

Don’t just kill your darlings. Kill everything that doesn’t move the story forward. Save your gems in a “future” file and use them in another book where they pull their weight.

2. Sharpen dialogue.

Just as you leave out the um’s and ah’s of real life, leave out chitchat about the weather, the local gossip, the “warming up” before you get to the point.

Condense long speeches that have nothing to do with your story or characters. Ernest Hemingway wrote narrative in long hand but used the typewriter for dialogue—the rat-tat-tat, he thought, was similar to speed of talk.

Dialogue should be short, sharp and speedy. A scene with dialogue should have lots of white space. Allow your characters to speechify at your own peril!

FREE dialogue tips from Nanowrimo here. More dialogue tips here.

3. Spot and solve plot problems.

Plot problems in a first draft?

I’m shocked, I tell you. Shocked.

A powerful technique called reverse outlining will help ferret them out. A reverse outline will also help you track character arcs and/or rein in wandering POV dilemmas.

Reverse outlining—basically a list plus some first-grade arithmetic—can also bail you out of glitches and blocks, aka those dreaded now-what-happens? moments.

The difference between an outline and a reverse outline is that you compose your reverse outline after you finish your first draft (or as you’re in the process of writing it). Even pantsers like me find the reverse outline invaluable.

You will find FREE directions and demonstrations of the power of reverse outlining here, here, here, and here.

4. Naming names.

Names are powerful—Hannibal Lector, Miss Marple, Mr. Darcy, Scarlett O’Hara, Rosa Kleb—and can even define character. Choose names carefully in order to make things easy for the reader.

Example: The hero is Kevin Barnett. The heroine is Kathy Blanchard. The villain is Keith Barron. The names are similar and the initials are identical.

Do you really want to drive your reader crazy, as s/he tries to remember which of the K’s are OK and which aren’t?

Make a list of all the character names in your book and see to it they are individual, even memorable, and, if possible, convey something about the character. Change names and initials that are too bland, too similar or easily confusable. Use a name generator if you run out of ideas or need ethnically or genre-correct names.

Scrivener, the go-to app for many writers offers a generous FREE trial and comes with a name generator. Find it in the edit > writing tools menu.

There’s a FREE standalone name generator offering everything from Finnish and Maori names to Biblical, witch, and rapper names here.

5. Cliffhanging.

The cliffhanger is the professional writer’s secret. Pros use the cliffhanger to compel the reader to turn the page so they end every chapter on a note of anxiety, suspense or irresolution.

The reader, dying to know what happens next, will turn the page, stay up till three AM to finish your book and the next day tell her/his friends “you have to read it!”

The cliffhanger worked for Shakespeare and probably back in the days when writers lived in caves and used chisels and clay tablets to tell their stories. It worked in soap operas, on sitcoms, and in commercial bestsellers. The cliffhanger is eternal: right now, today, tonight, you will find the little buggers on every show right before the commercial break.

Embrace the cliffhanger.

Respect its power.

Learn to use it.

6. Crutch words.

Many writers have them. Anne fesses up to “just.” Mine is “begin.”

Example: “She began to run for the bus” becomes “She ran for the bus.”

Simpler, more direct and more powerful and yet another example of the power of the delete button.

Do you abuse adverbs? A search for ly will ferret them out.

Scrivener provides an easy way to nail those crutch words. Go to Project > text statistics > word frequency and Scriv turns up a list (with numbers + bar chart!) of how many times you used a word in that particular project. Now that you have the evidence, go into hunt-and-kill mode and mow them down!

ID your own crutch words and be on the lookout for better, more expressive ways to convey what you want to describe.

7. Know your genre.

No football team is going to draft you as a receiver if you didn’t know how to run a route. Ditto, genre. Romance, thrillers, horror, romcom—all have conventions and readers expect those conventions to be honored.

Study the genre(s) you work in. Read widely. Keep up with shifts and changes in the genre. Be aware of what your readers are looking for and, when you revise that first draft, be sure you are giving your readers exactly what they are looking for.

Focus on thrills in a thriller, sexual tension in a romance, scares in horror. Make sure those scenes deliver the goods or you will lose your reader.

Find FREE expert advice on genre at the following sites:

Romance writers lecture three times a week at Romance University.
Mystery writers share tricks of their trade at Crime Fiction Collective.
David Morrell discusses writing thrillers here and Lee Child talks about how he breaks rules here. A few more tips about thrillers here.
Chuck Wendig discusses 25 things you need to know about writing horror here. Stephen King on the craft of writing horror here.

8. Once is enough.

A common first-draft problem and not always a quick or easy one to fix because it involves actual thinking. Sorry about that, guys—but be on the lookout for places where you convey the same thought two (or more) times in different words.

Usually, this kind of repetition means the writer—that would be you—hasn’t quite thought through what he/she is trying to say. If you find yourself falling into this trap, you need to do the hard work of clarifying your thoughts and then conveying them clearly.

Decide exactly what you want to say and then say it. Do it right once and you don’t have to do it again.

Now you are ready to expose your book to your editor, crit group, beta readers.

If you show your work before you address the glitches and flaws you perceive, you risk getting stepped on and deflated. It’s not worth it.

Don’t ask me how I know.

What about you, scriveners? Do you edit before you show your work to other people? Have you learned to do that the hard way? What other self-editing tricks can you add?

We LOVE comments. If you have trouble commenting because Blogger elves won't accept your ID (They prefer Google+ IDs, because they're owned by Google, alas) just email Anne through the "contact us" page and she'll personally post your comment.

BOOKS OF THE WEEK

ZURI--the word means "beautiful" in Swahili--is an inspirational, romantic story of grief, healing, and second chances (contains no sex or cursing and is appropriate for adult and young adult readers.)

Available at Amazon US. Amazon UK, NOOK

Lanky, dark-haired Renny Kudrow, Director of the Kihali Animal Orphanage in Kenya, is a brilliant scientist, a noted television personality, and an expert in animal communication. But human communication? Not so much, thinks Starlite Higgins, the talented young vet he has hired over the objection of others. He is prickly, remote, critical, and Starlite, anxious to please and accustomed to success, is unable to win his approval.

When Renny and Starlite set out on a dangerous mission, they rescue a severely injured baby rhino whose mother has been killed by poachers. Upon their return to Kihali, they must work together to save the little orphan, now named Zuri. Zuri's courage and determination and the idyllic beauty of Kihali, gradually break down Renny's and Starlite's emotional walls. Little by little, they each confront their own painful, invisible wounds.

But how can Starlite know the secret Renny guards is as shocking as the past she conceals?

***

This just in: HOW TO BE A WRITER IN THE E-AGE: A Self Help Guide is back in e-print!!
Now published by Fast Forward, this is a new, updated version, full of tips from Anne and #1 Bestseller Catherine Ryan Hyde. A must-read for new writers who are planning to go the traditional OR indie route. Lots of info on how to query, self-edit, use social media, deal with rejection and bad reviews, and stay safe online.

You can pick it up for only $2.99 at Amazon US, and the equivalent at Amazon UK, Amazon CA, and all the other Amazons around the world!

OPPORTUNITY ALERTS

Writers' Village International Short Fiction Award. Entry fee £15. This is a biggie. Stories in English up to 3000 words in any genre from anywhere in the world. £3000 First Prize. Judges include iconic mystery author Lawrence Block and Whitbread & Orange short-lister Jill Dawson. £4500 ($7200) in total prizes. The top 50 contestants also get a free critique of their stories. Deadline June 30th.

The 11th Yeovil International Literary Prize now open for entries Prize categories for novels, short fiction, poetry. Entry fee £11 for novels. 1st prize £1000. Deadline May 31st.

GLIMMER TRAIN FAMILY MATTERS CONTEST $1500 prize, plus publication in Glimmer Train Stories, plus 20 copies. $15 ENTRY FEE. They're looking for stories about families of all configurations. It's fine to draw on real experiences, but the work must read like fiction. Maximum word count: 12,000. Any shorter lengths are welcome. Deadline March 31.

Women Writers: MSLEXIA SHORT STORY COMPETITION £10 ENTRY FEE. A competition for unpublished short stories of up to 2,200 words. First prize £2,000 plus two optional extras: a week’s writing retreat at Chawton House Library outside of London, and a day with a Virago editor. Second prize: £500. Third prize: £250. Three other finalists each receive £100. All winning stories will be published in the Jun/Jul/Aug 2014 edition of Mslexia. Deadline March 17

The Jerwood Fiction Uncovered Prize: now open to UK self-publishers as well as traditional publishers. Fiction Uncovered seeks to promote emerging and deserving British fiction writers of outstanding work, looking beyond the debuts and the bestsellers. Debut works of fiction are not eligible. Be sure to follow the guidelines on the Fiction Uncovered site. Deadline has been extended to March 3rd.

The Big "O" for Writers—Organization: The Writer's Toolbox #3

Posted by Unknown On Sunday, October 27, 2013 0 comments

This is Ruth Harris's third installment in her Writer's Toolbox series. You can read Writer's Toolbox #2 here and Writers Toolbox #1 here.

Today she's talking about tools for organizing your research and ideas: very timely for me this week.

I've been working on and off for months on researching my next Camilla mystery, which takes Camilla back to the English Midlands (where she may or may not find out whether Peter Sherwood survived that yacht disaster).

I had the bright idea of creating a subplot involving Richard III, since his remains were recently discovered under a parking lot a few miles from the Midlands town I call Swynsby-on-Trent. (And who better to meet up with the ghost of the last Plantagenet king than Camilla's best friend, Plantagenet Smith?)

And ever since, I've been lost down a rabbit hole of research.

Do you have any idea how many books have been written on the subject of Richard III? Then there are the archives of the Richard III Society, the Society of Friends of King Richard III, the Richard III Foundation, Inc.—and myriad social media pages and websites. I could spend a lifetime reading Ricardian lore and never write my book at all.

There is, indeed such a thing as Too Much Information. So I'm going to get to work with some of these tools (just downloaded Evernote!) Now I'll see if it will help me tame the wild ideas in my head into a well-behaved plot. ...Anne

Writer’s Toolbox #3: Organize Up. Clutter Down. A cyber-Container Store for writers with lots of FREE stuff.

by Ruth Harris

Ideas come helter-skelter. Plot points arrive unbidden and in no coherent order. Characters can be stubborn and do what they what—not what the author wants. Dialog arrives in disjointed bits and pieces. The “perfect” sassy/ominous/devastating come-back might take a week (or more!) to marinate and then create.

Research all by itself can be chaotic mess. Take my novel ZURI for example:

Rhino ophthalmology? Check.
Safety protocols at zoos? Yep.
Endangered species? Basic.
Poachers and poaching? Can’t write the book without.
Illicit wildlife trading stats? Need-to-know.
How elephants communicate? But of course.
Career paths for veterinarians? Certainly.
Good goats and bad goats? Definitely.
What, exactly, does an expert in animal communication do? Gotta find out for sure.

In order to write Zuri there was all this plus plenty more but no way was I the only writer slogging through an Everest of info. Writers of historicals, techno thrillers, fantasy and multi-book series must also keep track of voluminous amounts of data and information.

In all books timelines need to be pinned down and adhered to. Can’t have a snowy Christmas scene in which a character in shorts and a t-shirt admires the blooming geraniums on the terrace.

Conflicts must escalate in pulse-pounding ways which means scenes must fall in just the right sequence. Can’t have a violent shootout in a gleaming office tower come before what seems a laid-off employee’s boozed-up threat against the boss s/he hates.

Characters need to be believable and consistent. Can’t have a blond, blue-eyed Alpha hero turn into the shy, poetic type. At least not without a damn good reason.

The overwhelmed writer must find a way to pummel, massage and mold the whole mess into a book that will delight readers.

It’s a huge, often frustrating task but here are some handy or even indispensable helpers, some I’ve mentioned before, others new (at least to me), lots of them FREE or available at modest cost.

Evernote, a FREE download, is well known and widely used. Evernote’s slogan is "Remember Everything", and this powerful app does exactly that. Evernote can save images, web pages, videos, audio files (great for phone interviews) and comes with a handy reminder function. Evernote will take dictation, you can email research to and from, the web clipper does its job perfectly and it’s hard to imagine a writer whose life won’t be made easier—and more organized!—thanks to Evernote.

Here are some research how-tos and tips from author and blogger Alexandra Samuel to help you get even more from Evernote. Thanks to Alexandra, I found out that notebooks can be set offline so you can access your information even when you’re away from an internet connection.

Scrivener, a powerful writing tool which comes in both Mac and PC versions, is an effortless organizer. My Mom used to say “a place for everything and everything in its place” and Keith Blount, Scrivener’s creator, must have been listening.

Scrivener provides places for your manuscript, your research including web links, images, audio files and videos. There are easily accessible cork board and outline functions and, because of Scrivener’s “binder” concept, moving scenes around is quick and easy. There is a generous trial and, if you decide Scrivener is for you, the purchase price is $45.

At The Organized Writer, Annie Neugebauer makes the excellent point that organization is just a framework for creativity. Hover your cursor over the Organized Writer on this page and you will find a useful drop down list of templates for everything from a writer’s bio to plot sheets, agent queries and character charts. All FREE.

A post there by Stacey Crew has a number of suggestions for coping with the messy business of writing. One I particularly like is using your smart phone to dictate ideas that occur to you when you’re away from your desk doing errands or walking in the park. Your phone will convert your words to text so you can email yourself your brilliant ideas and save having to retype them.

At Adventures in YA Publishing, Martina Boone and co. offer detailed instructions plus pix about how to create a plot board. The plot board (called a storyboard when used in pre-production on movies and tv) uses ordinary office supplies and allows a writer to visualize his or her book scene by scene or in overview.

Alexandra Sokoloff, screenwriter and teacher, uses an index card method for keep track of plot and story structure. She goes into detail about the three-act structure, the how-tos of her system and explains how her screenwriting techniques also apply to novels. Alexandra even includes a part-and-page breakdown for fiction writers.

Bestselling novelist Diane Chamberlain also uses the index card method and shows via pix the difference between the neat and organized final book and the chaotic and messy WIP stage.

Cindy R. Wilson at the Writers Alley talks about needing a direction (as opposed to a plot) when she starts to write. Cindy uses a combination of folders, notebooks and lists to keep herself organized and lays out the details here.

Author of medieval romance, Blythe Gifford, uses a spreadsheet to rein in the chaos. With her trusty Excel spreadsheet, Blythe has developed a way to keep track of everything from timelines to backstory, from a character’s first kiss to big picture stuff like war, peace, pestilence, famine and crashing meteors.

At Harlequin, Shelly Jump tells how she developed a simple way to keep track of myriad details that comprise a writer's life. She uses inexpensive stationery store items like colored folders, archive boxes, notebooks and highlighters to help tame the onslaught.

The staff writers at Open Education Database have pulled together 150 FREE online resources covering everything from help with research and statistics to basics like grammar, spelling and definitions. This invaluable list also includes assistance with business and legal matters, organizational tools, genre guides ranging from technical writing to fantasy, word counters and professional organizations.

We may never achieve the perfect big O (not that one; get your mind out of the gutter!), but these hints and tips will definitely help you contain the clutter.

***

How about you, scriveners? Do you find it tough to assemble all the data in your head into a coherent story? Do you use index cards or storyboards? How about Evernote or Scrivener? Or do you just jot stuff down in separate .docs and throw it in a big old Word folder the way Anne does?

Book of the Week

Available at Amazon US. Amazon UK, NOOK

The kindness of humans.

The intelligence of animals.

A book that will move you like no other.

ZURI's triggering event is the near-extinction of Africa's black rhino. Rhino horn is more valuable than gold and the illicit global trade in wild animals is third only to the smuggling of drugs and weapons. (Contains no sex or cursing and is appropriate for older YA readers as well as adults.)

Opportunity Alerts

The Sherwood Anderson Fiction Award from the Mid-American Review. $10 entry fee for a story up to 6000 words. First Prize: $1,000 and publication. Four Finalists: Notation, possible publication. You may submit online or snail mail. Details at website. Deadline is November 1, 2013.

J.F. POWER PRIZE FOR SHORT FICTION NO ENTRY FEE. The winner will receive $500. The winning story will be announced in February, 2014 and published in Dappled Things, along with nine honorable mentions. The word limit is 8,000 words. Deadline is November 29, 2013.

MYSTERY AUTHORS! The Poisoned Pen Press, one of the most prestigious small presses, is open for submissions for one month. They open for submissions twice yearly, once during the month of October, and once during the spring. During October, they will accept submissions for regular publication. During the spring submissions period they open for the Discover Mystery first book contest. Please note their entire submissions process is electronic via the online submissions manager, Submittable. Mailed or e-mailed submissions will not be read. They will be accepting regular submissions during the period between October 1 and October 31.

The Lascaux Prize for Short Fiction: Stories may be previously published or unpublished. Length up to 10,000 words. Entry fee is $5, and authors may enter more than once.The editors will select a winner and nineteen additional finalists. The winner will receive $500 and publication in The Lascaux Review. Both winner and finalists will earn the privilege of displaying a virtual medallion on blogs and websites. Deadline December 31, 2013.

The Writer's Toolbox: Must-Haves for Today's Author, with Links to FREE Downloads

Posted by Unknown On Sunday, July 28, 2013 0 comments

by Ruth Harris

As a follow up to Anne’s post, How To Get A Book Published for new or beginning writers, we’ve decided to post a list of the must-haves and the beyond-the-basics that belong in every writer’s toolbox.

Even writers just starting out will probably already have at least some of these tools, but there is so much out there on the web with new stuff appearing constantly, much of it FREE, that we want to add a page to the blog to round up what’s currently available.

The tools vary in cost from pricey to moderate (usually meaning around $35 or $40) to modest (under $10) and many are FREE. Most of the paid apps offer generous try-before-you-buy terms and conduct occasional sales or specials. All provide tutorials, on-line manuals, user forums and/or reviews on-line.

The popularity of ebooks and self publishing has also caused a revolution in word processors. They have evolved far beyond the usual spell check and grammar check. Most can compile your book or short story into epub and mobi files and some even give you the tools to create your cover.

THE MUST HAVES

MSWord is the Big Kahuna, the most basic word processor of all and comes in versions for the PC and the Mac. For years MSWord has been the industry classic: the app editors and agents prefer. Has its lovers and haters but it’s powerful, sometimes kind of klutzy, and can do just about anything.

In addition to all the word processing basics, MSWord can format your book into epub and mobi files for upload. India Drummond, an indie publisher, has created an excellent video tutorial here.

MSWord also provides the tools that will allow you to create your cover. I did say it was powerful, didn’t I? Here’s one on-line tutorial about making a cover in MSWord.

Scrivener comes in PC and Mac versions and is coming—soon! everyone hopes—for iOS. Almost infinitely flexible, Scriv is a must-have for many writers including me. If you’ve never used Scriv, there’s a bit of a learning curve but it’s quite intuitive and very logical once you get the hang of it.

The manual is extensive, the video tutorials are excellent and the help forum is outstanding. Keith Blount, Scriv’s developer, often appears to answer questions and his savvy crew is responsive and will walk you through any dilemmas.

Like MSWord, Scriv compiles to both epub and mobi and does it so fast that at first I thought nothing happened and I’d done something wrong. Bottom line: 5 stars all the way.

Nisus (pronounced Nice-us, for Mac only) is a less well known but superb word processor, one I’ve used for years. Moderately priced Nisus works well with Scriv, it’s elegant but powerful, very stable, and you can compile your epubs and mobis from within the Pro version. Their user forum is terrific and Martin—I think he’s one of the developers—is there to answer questions and help troubleshoot.

Atlantis (PC oriented) is a full-featured, moderately-priced MSWord lookalike. Comes with a try-before-you-buy offer, offers on-line help and user’s forum. Atlantis can do much of what MSWord does including turn your text into an epub or mobi file.

Google Documents is cloud based, fast, responsive, and FREE. Google docs does its job well and is particularly useful for collaborators who can log in from different locations and work together. Since Docs is cloud based, you get off-site back up along with a fine basic word processor.

Pages (Mac only) is iOS native, a modestly priced ($9.99) word processor to use on your iPad, iPhone, iPod. Pages also compiles to epub and mobi.

In addition to the brand names listed above, there are also FREE word processors available on-line. You will find a round up plus reviews of FREE word processors for the PC here.

FREE for the Mac is a clean and simple word processor called Bean.

BACK UPS

You do back up, don’t you? Because if you don’t you’d better start NOW! (For a tragic, cautionary tale, here's a story from the Kindleboards about a writer whose laptop was stolen from his car recently.)

Dropbox is so ubiquitous and so essential for off-site back up that it’s a must-have. It’s FREE, creates one file in the cloud and another on your desktop as you work. DB also synchs all your devices and works seamlessly with both mobile and desktop apps.

Microsoft offers FREE cloud storage called SkyDrive and Apple’s version is called (guess what?) iCloud. Google’s cloud storage, Drive, is also FREE and works on all popular systems.

Mozy, Carbonite, and CrashPlan are remote backup services. All offer a FREE trial and various subscription plans for personal and business back up.

Publishing blogger Passive Guy—he’s worked on computers for thirty years and knows first hand the soul-searing tragedy of lost work—details his belts-and-suspenders back up method here.

ORGANIZATION

Evernote is a powerful, FREE note keeping app that works on all platforms. Searchable by keyword or tags, includes reminder and web clipping functions, great for keeping research including images, for brainstorming ideas, for parking stuff you’re not yet sure what to do with. Cloud-based, syncs across all your devices. I consider Dropbox (or some form of cloud backup system) and Evernote indispensable.

Blogger Elizabeth Joss wrote a helpful post about how she uses Evernote to get organized and be more productive.

E-BOOK MANAGERS AND CREATORS

Calibre is a FREE e-book manager that does e-book file conversion, synchs your devices and manages your library.

Sigil, another FREE download runs on Windows, Linux and Mac. Sigil lets you edit epub files and comes with an on-line manual and user forum. As far as I know, right now there is nothing similar for editing mobi files which is where Calibre comes in. You edit your epub in Sigil, then use Calibre to convert to mobi.

Jutoh (Windows, Mac, and Linux) is a moderately-priced app that creates ebooks (including covers) in all the popular file formats.

ADD-ONS AND NICE TO HAVE

Name generators come in handy when you’re stuck for just the right name and offer suggestions appropriate for different periods of history, various ethnicities, celebrity baby names and even literary genres ranging from scifi to steampunk to vampires. Scrivener includes a name generator but there are FREE name generators on line—more here. Some also provide random personality profiles to help you along even more.

Do you have any useful to can’t-live-without apps I’ve overlooked? Anne and I want—and need—your help in building a useful writers’ resource!

Note from Anne: There's so much here I did not know! Thanks Ruth! I had no idea so many of these things are FREE.

THIS WEEK'S BOOK DEAL

99 cents for three full-length New York Times bestsellers. Over 1200 pages!

Available on Amazon US, NOOK, and Amazon UK

Decades (Book # 1) This bestselling classic is the compelling story of a marriage at risk, a family in crisis and a woman on the brink set against the tumultuous decades of the mid-twentieth century."Absolutely perfect." —Publisher's Weekly "Terrific!" —Cosmopolitan "Powerful. A gripping novel." —Women Today Book Club

Husbands And Lovers (Book # 2) Million copy NYT bestseller! Winner, Best Contemporary, Romantic Times! The story of a wallflower who turns herself into a lovely and desirable woman and the two handsome, successful men who compete for her love. "Steamy and fast-paced." —Cosmopolitan

Love And Money (Book #3)--#1 on Movers and Shakers. Rich girl, poor girl. Sisters and strangers until fate--and murder--bring them face to face. "Richly plotted. First-class entertainment." —NY Times "Fast-paced, superior fiction. A terrifically satisfying 'good read.'" —Fort Lauderdale News Sun-Sentinel

OPPORTUNITY ALERTS

1) A Room of Her Own contest for women writers. Entry Fee: $15. Four prizes of $1,000 each and publication in Los Angeles Review. Submit a poem of no more than 36 lines, a short short story of up to 500 words, a story of up to 1,500 words, or an essay of up to 1,500 words. Visit the website for complete guidelines. Deadline: July 31, 2013

2) Authors: advertise to international readers with EbookBargainsUK. Listings will be half-price through July and August and anyone listing then will get a credit for a free listing for September onwards (excluding the Holiday period December 20 – January 10). ALSO: They are launching Ebook Bargains Australia, Ebook Bargains New Zealand, Ebook Bargains Canada and Ebook Bargains India, offering authors a chance to target their ebooks at readers through local stores in those countries. Inclusion in these international email newsletters will not cost you anything extra! The one small listing fee will get your ebooks in all five newsletters, reaching five of the biggest English-speaking markets outside the USA.

Readers outside the US who want great deals—sign up here!

3) Find a Writing Group through Galley Cat! One of the most reliable and popular news outlets in publishing is creating a directory for writers to network to get critiques of their work You can sign up here.

4) SMOKE AND MIRRORS podcasts. Get your short story recorded FREE for an online podcast! Fantastic publicity if your story is accepted by SMOKE AND MIRRORS. They broadcast about three stories a week. Spooky, dark tales preferred. No previous publication necessary. They judge on the story alone.

5) Win prizes for memoir! Poetry or prose. NO entry fee. Memoir Journal A prize of $500 and publication in Memoir Journal is given twice yearly for a memoir in the form of a poem or an essay. The editors will judge. Using the online submission system, submit up to five poems or up to 10,000 words of prose. Visit the website for complete guidelines. Deadline August 16th.

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From Pathetic to Professional: 8 Ways to Beat the First Draft Blues